Semiotics of Exile in Contemporary Chinese Film

H. Zeng (Autor)

Buch | Softcover

177 Seiten

2012 | 1st ed. 2012
Palgrave Macmillan (Verlag)
978-1-349-43375-9 (ISBN)

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Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.

Hong Zeng is an assistant professor of Chinese language, literature, and film at Carleton College.

Semiotics of Photography and Exile Postmodernism and Semiotics of Exile Female Doubling and Postcolonial Exile Semiotics of Exile and Genre Upsetting: Xin Jin's Subversion of Melodrama in Hibiscus Town Failure of Root-searching in Cheng Kaige Semiotics of Exile and Displaced Film Codes: Jia Zhangke's Three Films

Erscheinungsdatum	21.08.2020
Reihe/Serie	Semiotics and Popular Culture
Zusatzinfo	VIII, 177 p.
Verlagsort	Basingstoke
Sprache	englisch
Maße	140 x 216 mm
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Geisteswissenschaften ► Philosophie ► Erkenntnistheorie / Wissenschaftstheorie
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
Schlagworte	Cinema • Film • Postmodernism • Semiotics
ISBN-10	1-349-43375-6 / 1349433756
ISBN-13	978-1-349-43375-9 / 9781349433759
Zustand	Neuware