Iranian Cinema and Philosophy
Shooting Truth
Seiten
2011
|
1st ed. 2012
Palgrave Macmillan (Verlag)
978-1-349-34215-0 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-34215-0 (ISBN)
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
FARHANG ERFANI Assistant Professor of Philosophy at the American University, USA, and a research associate at Nelson Mandela Metropolitan University in South Africa.
How Orphans Believe: Deleuze, National Cinema, and Majidi's The Color of Paradise 'What are filmmakers for in needy times?' On Heidegger and Kiarostami's Taste of Cherry Committed Perception: Merleau-Ponty and Children of Heaven Regarding You: Lacanian Gaze and Ethics in Kiarostami's Close-up Stolen Jouissance: Lacan, Feminism, and Meshkini's The Day I Became a Woman Deafening Silence: Bahman Ghobadi's Turtles Can Fly and Marginal Politics
| Erscheinungsdatum | 11.08.2016 |
|---|---|
| Reihe/Serie | Literatures and Cultures of the Islamic World |
| Zusatzinfo | XII, 230 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Religion / Theologie ► Islam | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| Schlagworte | Cinema • Color • ethics • Film • Gilles Deleuze • Jacques Lacan • Martin Heidegger • Maurice Merleau-Ponty • perception • Philosophy • Politics • Truth |
| ISBN-10 | 1-349-34215-7 / 1349342157 |
| ISBN-13 | 978-1-349-34215-0 / 9781349342150 |
| Zustand | Neuware |
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