The Text, the Play, and the Globe
Fairleigh Dickinson University Press (Verlag)
978-1-61147-821-1 (ISBN)
The purpose of this book is to honor the scholarly legacy of Charles R. Forker with a series of essays that address the problem of literary influence in original ways and from a variety of perspectives. The emphasis throughout is on the sort of careful, exhaustive, evidence-based scholarship to which Forker dedicated his entire professional life. Although wide-ranging and various by design, the essays in this book never lose sight of three discrete yet overlapping areas of literary inquiry that create a unity of perspective amid the diversity of approaches: 1) the formation of play texts, textual analysis, and editorial practice; 2) performance history and the material playing conditions from Shakespeare’s time to the present, including film as well as stage representations; and 3) the world, both cultural and literary, in which Shakespeare and his contemporaries worked and to which they bequeathed an artistic legacy that continues to be re-interpreted and re-defined by a whole new set of cultural and literary pressures. Eschewing any single, predetermined ideological perspective, the essays in this book call our attention to how the simplest questions or observations can open up provocative and unexpected scholarly vistas. In so doing, they invite us into a subtly re-configured world of literary influence that draws us into new, often unexpected, ways of seeing and understanding the familiar.
Joseph Candido is professor of English at the University of Arkansas. He has published extensively on Shakespeare and Renaissance drama, particularly the history plays, and is the editor of the King John volume in the Athlone Press series Shakespeare: The Critical Tradition (1996).
Acknowledgments
Introduction
Joseph Candido
1.The Ends of Time in Marlowe’s Doctor Faustus
Rebecca Bushnell
2.Marlowe in Edward II: Lender or Borrower?
Brian Vickers
3.Edward II in Performance from the 1980s to the Present
David Bevington
4.The Transitory Playhouse: The Theatre, Rose, and Fortune
S. P. Cerasano
5.Shakespeare and his Fellows: Honored at Somerset House?
Leeds Barroll
6.Richard II on Screens
Peter Holland
7.The (Mis)fortunes of Falstaff in Performance
James C. Bulman
8.How the Noble Spanish Soldier Describes a Battle
Lois Potter
9.The Staging of the Problematic Attempted Rape Scene of The Two Gentlemen of Verona as the Culmination of the Play’s Anti-Romantic Thematic Concerns
R. W. Desai
10.Across the Narrow Sea: The 1620 Leipzig Volume of English Plays
June Schlueter
11.Shakespearean Comedy and the Boundaries of Europe
Michael Dobson
12.George Wither’s Response to Othello
David M. Bergeron
13.Jonson’s Epigrams and the Learned Critics
Peter E. Medine
Appendix: Charles R. Forker: A Bibliography of Published Works
(1958-2014)
Bibliography
List of Contributors
Index
Erscheinungsdatum | 18.07.2016 |
---|---|
Reihe/Serie | The Fairleigh Dickinson University Press Series on Shakespeare and the Stage |
Co-Autor | Leeds Barroll, David M. Bergeron, David Bevington, James C. Bulman |
Verlagsort | Cranbury |
Sprache | englisch |
Maße | 157 x 238 mm |
Gewicht | 721 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-61147-821-9 / 1611478219 |
ISBN-13 | 978-1-61147-821-1 / 9781611478211 |
Zustand | Neuware |
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