The Oxford Handbook of Critical Improvisation Studies, Volume 1

George E. Lewis, Edwin H. Case Professor of American Music at Columbia University, is a fellow of the American Academy of Arts and Sciences, a MacArthur Fellow, a Guggenheim Fellow, and author of the award-winning 2008 book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press). An associate professor of music at Cornell University, Benjamin Piekut writes on the history of experimental and improvised music after 1960. He is the author of Experimentalism Otherwise (University of California Press, 2011) and editor of Tomorrow Is the Question (University of Michigan Press, 2014).

Preface to Volume I

Introduction
George E. Lewis and Benjamin Piekut

I. Cognitions

1. Cognitive Processes in Musical Improvisation
Roger Dean and Freya Bailes

2. The Cognitive Neuroscience of Improvisation
Aaron L. Berkowitz

3. Improvisation, Action Understanding, and Music Cognition With and Without Bodies
Vijay Iyer

4. The Ghost in the Music, or The Perspective of an Improvising Ant
David Borgo


II. Critical Theories

5. The Improvisative
Tracy McMullen

6. jurisgenerative grammar (for alto)
Fred Moten

7. Is Improvisation Present?
Michael Gallope

8. Politics as Hypergestural Improvisation in the Age of Mediocracy
Yves Citton

9. On the Edge: A Frame of Analysis for Improvisation
Davide Sparti

10. The Salmon of Wisdom: On the Consciousness of Self and Other in Improvised Music and In the Language that Sets One Free
Alexandre Pierrepont

11. Improvising Yoga
Susan Leigh Foster


III. Cultural Histories

12. Michel de Montaigne, or Philosophy as Improvisation
Timothy Hampton

13. The Improvisation of Poetry, 1750-1850: Oral Performance, Print Culture, and the Modern Homer
Angela Esterhammer

14. Germaine de Staël's Corinne, or Italy and the Early Usage of Improvisation in English
Erik Simpson

15. Improvisation, Time, and Opportunity in the Rhetorical Tradition
Glyn P. Norton

16. Improvisation, Democracy, and Feedback
Daniel Belgrad


IV. Mobilities

17. Improvised Dance in the Reconstruction of THEM
Danielle Goldman

18. Improvising Social Exchange: African American Social Dance
Thomas F. DeFrantz

19. Fixing Improvisation: Copyright and African American Vernacular Dancers in the Early Twentieth Century
Anthea Kraut

20. Performing Gender, Race, and Power in Improv Comedy
Amy Seham

21. Shifting Cultivation as Improvisation
Paul Richards


V. Organizations

22. Improvisation in Management
Paul Ingram and Bill Duggan

23. Free Improvisation as a Path-Dependent Process
Jared Burrows and Clyde G. Reed


VI. Philosophies

24. Musical Improvisation and the Philosophy of Music
Philip Alperson

25. Improvisation and Time-Consciousness
Gary Peters

26. Improvising Impromptu, Or, What to Do with a Broken String
Lydia Goehr

27. Ensemble Improvisation, Collective Intention, and Group Attention
Garry L. Hagberg

28. Interspecies Improvisation
David Rothenberg

29. Spiritual Exercises, Improvisation, and Moral Perfectionism:
With Special Reference to Sonny Rollins
Arnold I. Davidson

30. Improvisation and Ecclesial Ethics
Samuel Wells