British and Irish Drama since 1960
Palgrave Macmillan (Verlag)
978-1-349-22764-8 (ISBN)
Preface - Notes on the Contributors - 'The Absolute Absence of the Absolute': the Theory and Practice of Samuel Beckett's Drama; J.Acheson - Pinter and the Pinteresque; J.Fletcher - Revitalised Ritual and Theatrical Flair: the Plays of Peter Shaffer; W.Hutchings - Mirrors of Utopia: Caryl Churchill and Joint Stock; F.Gray - Casting the Audience: Theatricality in the Stage Plays of Peter Nichols; A.Parkin - Translations of History: Story-telling in Brian Friel's Theatre; K.Worth - Tom Murphy: Acts of Faith in a Godless World; R.A.Cave - Edward Bond: a Political Education; A.Jenkins - Stoppard's Theatre of Unknowing; M.A.Doll - Making History: the Plays of Howard Brenton; H.Zeifman - Forgiving History and Making New Worlds: Timberlake Wertenbaker's Recent Drama; A.Wilson - Freedom and Form in David Hare's Drama; J.Gindin - Honouring the Audience: the Theatre of Howard Barker; R.Wilcher - The Plays of Pam Gems: Personal/Political/Personal; K.H.Burkman - Postmodern Classics: the Verse Drama of Tony Harrison; R.Huk - Index
Erscheinungsdatum | 28.01.2016 |
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Zusatzinfo | X, 230 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 140 x 216 mm |
Gewicht | 318 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-349-22764-1 / 1349227641 |
ISBN-13 | 978-1-349-22764-8 / 9781349227648 |
Zustand | Neuware |
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