Literary Impressionism
Bloomsbury Academic (Verlag)
978-1-4742-6905-6 (ISBN)
Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism’s literary aesthetics and the changing role of memory within it.
Rebecca Bowler is Lecturer in Twentieth Century English Literature at Keele University, UK and was Research Associate on the Dorothy Richardson Scholarly Editions Project. She is co-founder of the May Sinclair Society.
1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford
i. 'The Thing Perceived and Herself Perceiving’: The Double Impression
ii. Representing the Unrepresentable I: Ford Madox Ford’s Parade’s End
iii. Representing the Unrepresentable II: Dorothy Richardson’s ‘Golden Light’
2. Visual Metaphors: Dorothy Richardson and H.D.
i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D.
ii. Weaving Cinematic Form: H.D. and Dorothy Richardson
3. Coming to Writing: Dorothy Richardson and May Sinclair
4. Memory and Vision
Bibliography
Index
| Erscheinungsdatum | 27.08.2016 |
|---|---|
| Reihe/Serie | Historicizing Modernism |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 540 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-4742-6905-2 / 1474269052 |
| ISBN-13 | 978-1-4742-6905-6 / 9781474269056 |
| Zustand | Neuware |
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