A Theory of the Trial
Seiten
2001
Princeton University Press (Verlag)
978-0-691-08980-5 (ISBN)
Princeton University Press (Verlag)
978-0-691-08980-5 (ISBN)
A celebration of the American trial as a great cultural achievement, this work explores how these legal proceedings bring about justice. It reminds us that the trial is not confined to the impartial application of legal rules to factual findings. It explores the narrative structure of the trial, beginning with the lawyers' opening statements.
Anyone who has sat on a jury or followed a high-profile trial on television usually comes to the realization that a trial, particularly a criminal trial, is really a performance. Verdicts seem determined as much by which lawyer can best connect with the hearts and minds of the jurors as by what the evidence might suggest. In this celebration of the American trial as a great cultural achievement, Robert Burns, a trial lawyer and a trained philosopher, explores how these legal proceedings bring about justice. The trial, he reminds us, is not confined to the impartial application of legal rules to factual findings. Burns depicts the trial as an institution employing its own language and styles of performance that elevate the understanding of decision-makers, bringing them in contact with moral sources beyond the limits of law. Burns explores the rich narrative structure of the trial, beginning with the lawyers' opening statements, which establish opposing moral frameworks in which to interpret the evidence. In the succession of witnesses, stories compete and are held in tension. At some point during the performance, a sense of the right thing to do arises among the jurors.
How this happens is at the core of Burns's investigation, which draws on careful descriptions of what trial lawyers do, the rules governing their actions, interpretations of actual trial material, social science findings, and a broad philosophical and political appreciation of the trial as a unique vehicle of American self-government.
Anyone who has sat on a jury or followed a high-profile trial on television usually comes to the realization that a trial, particularly a criminal trial, is really a performance. Verdicts seem determined as much by which lawyer can best connect with the hearts and minds of the jurors as by what the evidence might suggest. In this celebration of the American trial as a great cultural achievement, Robert Burns, a trial lawyer and a trained philosopher, explores how these legal proceedings bring about justice. The trial, he reminds us, is not confined to the impartial application of legal rules to factual findings. Burns depicts the trial as an institution employing its own language and styles of performance that elevate the understanding of decision-makers, bringing them in contact with moral sources beyond the limits of law. Burns explores the rich narrative structure of the trial, beginning with the lawyers' opening statements, which establish opposing moral frameworks in which to interpret the evidence. In the succession of witnesses, stories compete and are held in tension. At some point during the performance, a sense of the right thing to do arises among the jurors.
How this happens is at the core of Burns's investigation, which draws on careful descriptions of what trial lawyers do, the rules governing their actions, interpretations of actual trial material, social science findings, and a broad philosophical and political appreciation of the trial as a unique vehicle of American self-government.
Robert P. Burns is Professor of Law at Northwestern University School of Law, where he teachers evidence, legal ethics, and procedure. He has practiced law for twenty-five years and has published widely in law journals and reviews.
Acknowledgments IX Introduction 3 I. The Received View of the Trial 10 II. The Trial's Linguistic Practices 34 III. The Trial's Constitutive Rules 73 IV. An Interpretation from One Trial 103 V. The Trial's Most Basic Features and Some Observed Consequences 124 VI. Thinking What We Do 155 VII. The Two Sides of the Trial Event 183 VIII. The Truth of Verdicts 220
Erscheint lt. Verlag | 28.10.2001 |
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Zusatzinfo | 2 line illus. |
Verlagsort | New Jersey |
Sprache | englisch |
Maße | 152 x 235 mm |
Gewicht | 340 g |
Themenwelt | Geisteswissenschaften ► Philosophie ► Ethik |
Recht / Steuern ► Allgemeines / Lexika | |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Strafrecht | |
ISBN-10 | 0-691-08980-9 / 0691089809 |
ISBN-13 | 978-0-691-08980-5 / 9780691089805 |
Zustand | Neuware |
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