The Operas of Maurice Ravel - Emily Kilpatrick

The Operas of Maurice Ravel

Buch | Hardcover
283 Seiten
2015
Cambridge University Press (Verlag)
978-1-107-11812-6 (ISBN)
109,95 inkl. MwSt
In this comprehensive study, Emily Kilpatrick unites musical, literary, documentary and cultural perspectives to shed new light on Ravel's two operas, his working life and his compositional practice. The first study devoted to Ravel's operas, this book will be an invaluable resource for anyone who is interested in French music.
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.

Emily Kilpatrick holds a Ph.D. in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Fauré. She is co-editor, with Roy Howat, of the new Peters critical edition of Fauré's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song.

Preface; Part I. Making Operas: 1. Introduction: 'a single act at the Opéra-Comique'; 2. Ravel's hour; 3. The Child and the impresarios; Part II. Words and Music: 4. The collaborative process; 5. Songs into operas; 6. 'This archaic attempt at a modern fantasy'; 7. A portrait of an opera-ballet; Part III. The Compositional Web: 8. The 'calling cards' of L'Heure espagnole; 9. From Carmen to Concepcion; 10. The 'big, small world' of L'Enfant et les sortilèges; 11. A child of his time; Afterword.

Erscheint lt. Verlag 26.10.2015
Reihe/Serie Music in Context
Zusatzinfo 92 Printed music items; 2 Tables, black and white; 11 Halftones, unspecified; 11 Halftones, black and white
Verlagsort Cambridge
Sprache englisch
Maße 180 x 253 mm
Gewicht 730 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Kunst / Musik / Theater Theater / Ballett
Schulbuch / Wörterbuch Wörterbuch / Fremdsprachen
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Geisteswissenschaften Philosophie
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 1-107-11812-3 / 1107118123
ISBN-13 978-1-107-11812-6 / 9781107118126
Zustand Neuware
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