Shakespeare in Our Time
The Arden Shakespeare (Verlag)
978-1-4725-2041-8 (ISBN)
Dympna Callaghan is William L. Safire Professor of Modern Letters at Syracuse University, USA. Suzanne Gossett is Emeritus Professor of Literature at Loyola University, Chicago, USA.
Preface - Lena Orlin
List of Contributors
Introduction - Dympna Callaghan and Suzanne Gossett
Feminism
Why Feminism Still Matters - Phyllis Rackin
Just Imagine - Kathryn Schwarz
Letters, Characters, Roots - Wendy Wall
Sexuality
Deeds, Desire, Delight - Bruce R. Smith
Rethinking Sexual Acts and Identities - Mario DiGangi
HexaSexuality - Madhavi Menon
Teaching
The Classroom - David Bevington
Money for Jam - Marjorie Garber
Extension Work - Patricia Cahill
Editing
Facts, Theories, and Beliefs - Barbara A. Mowat
What We Owe to Editors - Lukas Erne
What's Next in Editing Shakespeare - Sonia Massai
Mortality
Suicide as Profit or Loss - Mary Beth Rose
Death and King Lear - Michael Neill
Shakespeare's Here - Scott L. Newstok
Media
Spectatorship, Remediation, and One Hundred Years of Hamlet - James C. Bulman
Performing Shakespeare through Social Media - Pascale Aebischer
Reading Shakespeare through Media Archaeology - Alan Galey
Race and Class
Is Black so Base a Hue? - Jean E. Howard
The Race of Shakespeare's Mind - Lara Bovilsky
Speaking of Race - Ian Smith
Sources
Shakespeare and the Bible - Robert S. Miola
Shakespeare's Sources - Ania Loomba
Volver, or Coming Back - Sarah Beckwith
Text and Authorship
Collaboration 2016 - Gary Taylor
The Value of Stage Directions - Laurie Maguire
The Author Being Dead - Adam G. Hooks
Globalization
Against Our Own Ignorance - Susanne L. Wofford
Circumnavigation, Shakespeare, and the Origins of Globalization - Daniel Vitkus
The Bard in Calcutta, India, 1835-2014 - Jyotsna G. Singh
Bodies and Emotions
Bodies without Borders in Lear and Macbeth - Gail Kern Paster
Potions, Passion, and Fairy Knowledge in A Midsummer Night's Dream - Mary Floyd-Wilson
Shakespeare and Variant Embodiment - David Houston Wood
Social Context
Social Contexting - Frances E. Dolan
"Hic et ubique": Hamlet in Sync - Bradin Bormack
Playing in Context, Playing out Context - William N. West
Historicism
Historicizing Historicism - William C. Carroll
Minding Anachronism - Margreta de Grazia
The Historicist as Gamer - Gina Bloom
Appropriations
American Appropriation through the Centuries - Georgianna Ziegler
Appropriation 2.0 - Christy Desmet
Appropriation in Contemporary Fiction - Andrew Hartley
Biography
Shakespeare and Biography - Peter Holland
Shakespeare's Friends and Family in the Archives - David Kathman
Biography vs. Novel - Lois Potter
Classicism
The Classics as Popular Discourse - Coppelia Kahn
Shakespeare's Classicism, Redux - Lynn Enterline
Time, Verisimilitude, and the Counter-Classical Ovid - Heather James
Public Shakespeare
The Publicity of the Look - Paul Yachnin
Public Women / Women of Valor - Julia Reinhard Lupton
The Ghost of the Public University - Henry S. Turner
Style
William Shakespeare, Elizabethan Stylist - Russ McDonald
Nondramatic Style - Stephen Guy-Bray
Shakespeare's Lexical Style - Alysia Kolentsis
Performance
Pluralizing Performance - Diana E. Henderson
The Study of Historical Performance - Tiffany Stern
Shakespeare / Performance - W. B. Worthen
Ecocriticism
Shakespeare and Nature - Rebecca Bushnell
Shakespeare without Nature - Steve Mentz
The Chicken and the Egg - Karen Raber
Afterword: Shakespeare in Tehran - Stephen Greenblatt
Verlagsort | London |
---|---|
Sprache | englisch |
Maße | 140 x 216 mm |
Gewicht | 519 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4725-2041-6 / 1472520416 |
ISBN-13 | 978-1-4725-2041-8 / 9781472520418 |
Zustand | Neuware |
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