Emotions in Medieval Arthurian Literature

CAROLYNE LARRINGTON is Professor of Medieval European Literature at Oxford University and Official Fellow in Medieval English Literature at St John's College, Oxford. Corinne Saunders is Professor of Medieval Literature at the Department of English Studies, University of Durham. CAROLYNE LARRINGTON is Professor of Medieval European Literature at Oxford University and Official Fellow in Medieval English Literature at St John's College, Oxford. Corinne Saunders is Professor of Medieval Literature at the Department of English Studies, University of Durham. JANE GILBERT is Professor of Medieval Literature and Critical Theory at University College London, UK. Dr Raluca Radulescu is Senior Lecturer in Medieval Literature, Bangor University Sif Rikhardsdottir is Professor and Chair of Comparative Literature at the University of Iceland.

Introduction - Frank Brandsma and Carolyne Larrington and Corinne Saunders
Being-in-the-Arthurian-World: Emotion, Affect and Magic in the Prose Lancelot, Sartre and Jay - Jane Gilbert
Mind, Body and Affect in Medieval English Arthurian Romance - Corinne Saunders
'What cheer?' Emotion and Action in the Arthurian World - Andrew Lynch
Ire, Peor and their Somatic Correlates in Chrétien's Chevalier de la Charrette - Anatole Pierre Fuksas
Kingship and the Intimacy of Grief in the Alliterative Morte Arthure - Anne Baden-Daintree
Tears and Lies: Emotions and the Ideals of Malory's Arthurian World - Raluca Radulescu
Mourning Gawein: Cognition and Affect in Diu Crône and some French Gauvain-Texts - Carolyne Larrington
Emotion and Voice: 'Ay' in Middle Dutch Arthurian Romances - Frank Brandsma
Translating Emotion: Vocalisation and Embodiment in Yvain and Ívens saga - Sif Rikhardsdottir
Afterword: Malory's Enigmatic Smiles - Helen Cooper