Josephus of OZ -  Andrew R. Joppa

Josephus of OZ (eBook)

Following The Yellow Brick Road To Find The Author of the New Testament
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2015 | 1. Auflage
90 Seiten
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978-0-9862880-1-2 (ISBN)
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This groundbreaking work offers a new paradigm for L. Frank Baum's first Oz book, and for the New Testament and the author of its source document, Flavius Josephus. It has no counterpart within any other analysis. As such, I initially expect to gain few allies. In time, for those willing to look deeper, the bold hypothesis I offer will gain justification.
Once you complete this book, you will have read the only comprehensive interpretation of the The Wonderful Wizard of Oz. This groundbreaking work offers a new paradigm for L. Frank Baum's first Oz book, and for the New Testament and the author of its source document, Flavius Josephus. It has no counterpart within any other analysis. As such, I initially expect to gain few allies. In time, for those willing to look deeper, the bold hypothesis I offer will gain justification. Josephus of Oz will cause those with faith-based belief in the historic origins of the Gospels to bristle; it will create "e;pushback"e; from academics who specialize in comparative literary analysis, it will challenge experts who have studied Oz for most of their lives, and it may well upset a large portion of the general public who will feel that their wonderful "e;fairytale"e; is being taken from them. These are the inevitabilities of breaking new ground when addressing something as powerful as the long held beliefs regarding truly significant topics. First, consider that there is no need for the joy of the Oz stories to be discarded. Although it is not accurate, many people associate "e;Ring Around the Rosie"e; with the Black Plague; a rather dark origin, but who would stop children from enjoying this playground singing game? There is no need to disenchant them. Second, consider the very limited possibility that I could have constructed Josephus of Oz as an act of raw creativity, removed from any symbolic nature of Baum's writings. While many of the allegorical references presented by Baum are vague, others are transparent enough to make identification obvious. The characters of Dorothy, the Scarecrow, The Tin-Man and the Lion, and what they experience in their audience with the Wizard, lend themselves to establishing clear awareness of their identity. The destruction of the china church (something not included in the movie version of the story) begs the question of why the Lion would crush a church. The allegorical use of The Wicked Witch of The West as a representation of the Roman Catholic Church was documented and held true throughout the entire analysis. There is a comfortable rhythm supplied by Josephus of Oz. Travel the Yellow Brick Road with me and you will soon realize that it represents an enlightening trip through the history of western civilization. To anyone who would reject this annotation out of hand I offer this challenge. As you absorb the entirety of the explanations offered, consider this critical question: "e;Could the interpretation have remained consistent throughout the analysis if Baum's Oz did not lead to the conclusions presented?"e; Logic would demand this answer be "e;No."e;

This chapter provides an outline of my interpretation and annotation of The Wonderful Wizard of Oz. Its purpose is to demonstrate the logic and consistency of the analysis used to develop the complete annotation, which is presented in Chapter 8, and to create a framework for the information presented there. It will help you see how the pieces fit together, and allow for a better understanding of subsequent information as it contributed to the writing of The Wonderful Wizard of Oz.
This outline and the full evaluation in Chapter 8, are most meaningful if the reader has had some exposure to the book, The Wonderful Wizard of Oz. If you have only seen the motion picture, note that the movie does not duplicate the book. The differences between the book and the movie are numerous, and while most tend to be minor, some differences will affect your ability to understand the original allegory. The film’s basic plot is close to the original novel, but lacks some essential detail. Following are the major differences between the 1939 movie, The Wizard of Oz and Baum’s original novel.
One of the most prominent differences between the novel and the movie is in the enchanted shoes that Dorothy wears. In the book the shoes are silver, while in the movie the shoes were changed to ruby. This change of color alters the Baum allegory as you will see.
Next, the story of Dorothy on the farm in Kansas is nearly absent in the book, taking up only a few paragraphs. Miss Gulch, the three farmhands (Hunk, Hickory and Zeke) and kind-hearted fortuneteller, Professor Marvel, do not appear in any of Baum’s books. The book featured also several sub-plots, including a confrontation with the belligerent Hammer-Heads and a visit to a town with inhabitants and structures made entirely of china. Though of interest, these were not integral to the main plot of the movie; they are, however, critical to Baum’s allegory.
Another meaningful difference involves the Good Witch of the North and the Good Witch of the South (Glinda), who are separate characters in the novel. Dorothy meets the Good Witch of the North, whose name is not given. She does not know how to use the power of the Silver Shoes, which is why she sends Dorothy to Oz. Only when Dorothy locates Glinda, the Witch of the South, does she learn the secret of the shoes. In the film, the two witches are merged into just one witch called “Glinda.”
The Wicked Witch of the film is more conventional than in the book; the witch of the book is a one-eyed hag with light-colored hair fixed into three pigtails. She wears white, as do all Oz witches, rather than the film’s black. The Winged Monkeys are not her permanent slaves, but slaves to a Golden Cap she possesses that may be used only three times per owner. The cap is flung briefly in the film without explanation. The name Nikko never appears in the novel, although probably coincidentally, it is the name of an old blind man in Baum’s novel, The Last Egyptian. In the novel, the witch is portrayed as a coward without a great deal of power.
The book is undeniably darker and more violent; in some places it is even gruesome, in great contrast to the movie. Also, in the book, the Tin Woodman uses his ax to chop the head off a wildcat, forty wolves, and the limbs of animate trees. In the movie, the only two times he wields his axe is to break a flowerpot to create a crown for the Cowardly Lion in Emerald City and to chop through the door of the room where the witch is holding Dorothy captive. Similarly, the book’s Scarecrow twists the necks of forty crows sent by the Wicked Witch of the West.
Some fans of the books feel the ending of the movie goes against the nature of the original. In Baum’s novel, there is no hint that Oz is anything but a real place, to which Dorothy returns in later adventures (she eventually moved to Oz permanently and was joined by her aunt and uncle).
In contrast to the adult theory of the film, though the house is intact at the end, and nearly all the adults say she was having a bad dream, Dorothy believes very strongly that she was indeed in Oz. She never concedes the point that it was not a “real truly live place” and she had been there for “days and days.”
At the book’s conclusion, Dorothy runs to greet Aunt Em, who had apparently believed she was dead; she tells her she was in Oz, but that is the last line in the book and how the adults react to Dorothy’s tale is not known.
The book, like the film, illustrates the Dorothy’s three friends in Oz already have the qualities they desire, but are not aware that they do; and the book’s Wizard goes to much greater lengths to ensure they believe that they have obtained exactly what they desire. To give the Scarecrow a brain, the Wizard detaches the Scarecrow’s head and empties the straw out, replacing it with a mixture of bran, pins and needles, and straw to hold it in place. When he gives the Tin Woodman a heart, he cuts a hole in the Tin Woodman’s chest with tinsmith’s shears, puts a red satin heart stuffed with sawdust into the breast and then patches it with a soldering iron, telling him that it is a very kind heart indeed. Lastly, he gives the Cowardly Lion a green drink, telling him that once he drinks it, he will have courage.
In the movie, the Wizard notes explicitly that the trio had the qualities they desired all along, but did not recognize them. To reinforce that idea, the movie’s Wizard gives them tokens to confirm and symbolize those attributes. The Scarecrow gets a diploma called “The Honorary Degree of Th.D. (Doctor of Thinkology),” a ticking clock shaped like a red heart for The Tin Man, and a medal with the word “Courage” on it for the Cowardly Lion (“You are now a member of the Legion of Courage!”).
As you read this outline, you may stop at any point, look ahead to Chapter 8, and find any part of this outline explored in greater depth. If you read what follows with an open mind you will find yourself being challenged by information that has been around you but was never seen.
Here then is your first exposure to the only full, symbolic interpretation of The Wonderful Wizard of Oz. Keep in mind the fact that the movie, in itself, will not enable you to understand my allegorical interpretation.
In this outline, the Outer Story is in Bold/Underlined type. If you read only that text you will have a relatively complete version of the Outer Story of The Wonderful Wizard of Oz. Immediately following most of the characters and some of the incidents, in Italics, I offer a brief annotation (generally without proof, as all evidence is supplied in the complete version and later in this book) which will give you a good understanding of the reality of Baum’s, The Wonderful Wizard of Oz. Once again, keep in mind, that from this point forward when I refer to the author, L. Frank Baum, I am automatically including the influence of his mother-in-law, Matilda Joslyn Gage. The explanations I offer will be logical but not simple. As with any well planned “treasure map,” these allegories (the New Testament, The Wonderful Wizard of Oz) are made to keep all but the most persistent and dedicated from reaching its “riches.”
The Annotated Outline of
The Wonderful Wizard of Oz
(Chapter 8, presenting the full annotation, provides greater clarity)
Dorothy (Dorothy, our heroine, represents the Inquiring intellect of Western society)
lives on the Kansas plains (This plain is a mirrored image of the Zodiac: The Zo from Zo-diac when reversed becomes Oz)
in a lone farm house (The Western World)
with her Aunt Em (In the first chapter Aunt Em represents The Holy Roman Catholic Church; as the outer story moves along, this important institution will be represented in other ways)
and her uncle Henry (Henry represents God or Jesus; he is a stern bearded man)
Aunt Em is bothered by Dorothy’s merry laughter and always puts her hand over her heart (The Church rejecting the Intellectual; an obvious historical reality).
A Cyclone (The cyclone represents persecution and difficulties) approaches the farm.
Aunt Em (The Roman Catholic Church) takes refuge in the Cyclone Shelter (Original Christianity; as per Josephus)
while Uncle Henry does not (Remember, he’s God or Jesus and would not be bothered by the danger...

Erscheint lt. Verlag 25.2.2015
Sprache englisch
Themenwelt Literatur
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-9862880-1-2 / 0986288012
ISBN-13 978-0-9862880-1-2 / 9780986288012
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