Poe and the Subversion of American Literature
Bloomsbury Academic USA (Verlag)
978-1-5013-0929-8 (ISBN)
In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe’s satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe’s work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe’s life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poète maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe’s varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.
Robert T. Tally Jr. is Associate Professor of English at Texas State University, USA, where he teaches American and world literature. Tally is the author of six books, including Kurt Vonnegut and the American Novel: A Postmodern Iconography (Bloomsbury, 2011) and Melville, Mapping and Globalization: Literary Cartography in the American Baroque Writer (2009). He is the editor of four collections of essays, including The Geocritical Legacies of Edward W. Said: Spatiality, Critical Humanism, and Comparative Literature (2015).
Acknowledgements
Introduction: A Poetics of Descent
1. Subterranean Noises
Undercurrents of American Thought
The Man of the Street
The Diddler’s Grin
2. A Nomad in a Land of Settlers
The Early Poe: Nomadic Peripety
The Mature Poe: Unsettling Movement
The Late Poe: Extravagant Trajectories
3. Points of No Return
The Return of Personal Narrative
“Of my country and of my family I have little to say”
Irreversible Descent
Uncharted Territories
4. The Nightmare of the Unknowable
The Legitimate Sources of Terror
Terror as Anti-Epistemic
Unfathomability
5. Captivating the Reader
Perverse Designs
“To be appreciated you must be read”
The Apparatus of Capture
6. The Perverse Originality of Literature Proper
True Originality
Generic Ambiguities
7. The Cosmopolitan’s Uncanny Duplicity
At Sea in the City
The Doppelgänger’s Mirror Image
8. Extra Mœnia Flammantia Mundi: Satire, Fantasy, and the Critic’s Laughter
Phantasy Pieces
The Laugh of Edgar Allan Poe
Conclusion: Premature Burials
Bibliography
Index
| Verlagsort | New York |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 236 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-5013-0929-3 / 1501309293 |
| ISBN-13 | 978-1-5013-0929-8 / 9781501309298 |
| Zustand | Neuware |
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