Medieval Woman's Song -

Medieval Woman's Song

Cross-Cultural Approaches
Buch | Hardcover
288 Seiten
2001
University of Pennsylvania Press (Verlag)
978-0-8122-3624-8 (ISBN)
78,55 inkl. MwSt
The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness.

The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.

Anne L. Klinck is Professor Emerita of English at the University of New Brunswick, Canada. She is the author of The Old English Elegies: A Critical Edition and Genre Study. Ann Marie Rasmussen is Professor of Germanic Languages at Duke University. She is the author of Mothers and Daughters in Medieval German Literature.

List of Abbreviations

Introduction

—Anne L. Klinck

Chapter 1 Sappho and Her Daughters: Some Parallels Between Ancient and Medieval Woman's Song

—Anne L. Klinck

Chapter 2 Ides geomrode giddum: The Old English Female Lament

—Pat Belanoff

Chapter 3 Women's Performance of the Lyric Before 1500

—Susan Boynton

Chapter 4 Ca no soe joglaresa: Women and Music in Medieval Spain's Three Cultures

—Judith R. Cohen

Chapter 5 Feminine Voices in the Galician-Portuguese cantigas de amigo

—Esther Corral

Chapter 6 Sewing like a Girl: Working Women in the chansons de toile

—E. Jane Burns

Chapter 7 Fictions of the Female Voice: The Women Troubadours

—Matilda Tomaryn Bruckner

Chapter 8 The Conception of Female Roles in the Woman's Song of Reinmar and the Comtessa de Dia

—Ingrid Kasten

Chapter 9 Reason and the Female Voice in Walther von der Vogelweide's Poetry

—Ann Marie Rasmussen

Chapter 10 Ventriloquisms: When Maidens Speak in English Songs, c. 1300-1550Judith M. Bennett

Notes

List of Contributors

Index

Acknowledgments

Erscheint lt. Verlag 27.10.2001
Reihe/Serie The Middle Ages Series
Verlagsort Pennsylvania
Sprache englisch
Maße 155 x 235 mm
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-8122-3624-6 / 0812236246
ISBN-13 978-0-8122-3624-8 / 9780812236248
Zustand Neuware
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