Terence between Late Antiquity and the Age of Printing

Giulia Torello-Hill (PhD Nottingham, 2006) is a Fellow at the University of Queensland. She has published on Greek Old Comedy and on the reception of ancient drama in the Italian Renaissance, and is now (with Andrew Turner) investigating humanist interpretations of classical dramatic theories for the Australian Research Council. Andrew J. Turner (PhD Melbourne, 2000) is a Fellow at Melbourne University, where he teaches Latin. He has published on the reception of Terence and Sallust, and jointly edited a DVD-facsimile of an illustrated Terence manuscript with Bernard Muir. Contributors are: James H. Kim On Chong-Gossard, Chrysanthi Demetriou, Gianni Guastella, Salvatore Monda, Bernard J. Muir, Beatrice Radden Keefe, Giulia Torello-Hill, Andrew J. Turner and Claudia Villa.

Contents

Preliminary Matter
Preface
List of Figures
List of Abbreviations
List of Contributors

Chapter 1: Introduction

Text and Images
Chapter 2:Bernard J. Muir, “Terence’s Comedies: Development, Transmission, and Transformation”
Chapter 3:Beatrice Radden-Keefe, “Illustrating the Manuscripts of Terence”
Chapter 4:James H. Kim On Chong-Gossard, “Thais Walks the German Streets: Text, Gloss, and Illustration in Neidhart’s 1486 German Edition of Terence’s Eunuchus”

Scholarship
Chapter 5:Salvatore Monda, “Terence Quotations in Latin Grammarians: Shared and Distinguishing Features”
Chapter 6:Andrew J. Turner, “Problems with the Terence Commentary Traditions: The Oedipus Scholion in BnF, lat. 7899”

Text and Performance
Chapter 7:Chrysanthi Demetriou, “Donatus’ Commentary: The Reception of Terence’s Performance”
Chapter 8:Gianni Guastella, “Ornatu prologi: Terence’s Prologues on the Stage/on the Page”
Chapter 9:Giulia Torello-Hill, “The Revival of Classical Roman Comedy in Renaissance Ferrara: From the Scriptorium to the Stage”

Readerships
Chapter 10:Claudia Villa, “Terence’s Audience and Readership in the Ninth to Eleventh Centuries”

Bibliography