Christos Tsiolkas and the Fiction of Critique
Politics, Obscenity, Celebrity
Seiten
2015
Anthem Press (Verlag)
978-1-78308-403-6 (ISBN)
Anthem Press (Verlag)
978-1-78308-403-6 (ISBN)
This is the first theoretically informed study of Tsiolkas’s work. It follows the arc of his controversial career, and explores the tensions between political radicality, transgressive sexuality and his more recent commercial success.
Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility. ‘Christos Tsiolkas and the Fiction of Critique’ traces these contradictions against Tsiolkas’s acute sense of the waning of working-class identity, and reads his work as a sustained examination of the ways in which literature might express an opposition to capitalist modernity.
Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility. ‘Christos Tsiolkas and the Fiction of Critique’ traces these contradictions against Tsiolkas’s acute sense of the waning of working-class identity, and reads his work as a sustained examination of the ways in which literature might express an opposition to capitalist modernity.
Andrew McCann is a professor in the Department of English at Dartmouth College, New Hampshire.
Preface; Introduction: Pasolini’s Ashes; 1. The Down-Curve of Capital: ‘Loaded’; 2. Inside the Machine: From ‘Loaded’ to ‘The Jesus Man’; 3. The Pornographic Logic of Global Capitalism: ‘Dead Europe’; 4. In the Suburbs of World Literature: From ‘Dead Europe’ to ‘The Slap’; 5. The Politics of the Bestseller: ‘The Slap’ and ‘Barracuda’; Conclusion: Aesthetic Autonomy and the Politics of Fiction; Notes; Bibliography; Index
Erscheint lt. Verlag | 15.6.2015 |
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Reihe/Serie | Anthem Australian Humanities Research Series |
Verlagsort | London |
Sprache | englisch |
Maße | 153 x 229 mm |
Gewicht | 454 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-78308-403-0 / 1783084030 |
ISBN-13 | 978-1-78308-403-6 / 9781783084036 |
Zustand | Neuware |
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