New York Noise
Indiana University Press (Verlag)
978-0-253-01550-1 (ISBN)
Tamar Barzel is an ethnomusicologist whose research focuses on experimental music, jazz, and improvisation. Drawing on ethnographic and archival sources, her work is positioned at the nexus of cultural studies, creative identity, and musical sound. She has presented papers at scholarly meetings worldwide and has published articles in the Journal of the Society for American Music, Jazz/Not Jazz: The Music and its Boundaries, and "People Get Ready": The Future of Jazz is Now. Her newest project investigates the history of creative improvised music in Mexico City.
Ethnomusicology Multimedia Series Preface
Acknowledgements
Introduction: The Downtown Scene
1. Jewish Music: The Art of Getting it Wrong
2. "Radical Jewish Culture": A Community Emerges
3. From the Inexorable to the Ineffable: John Zorn's Kristallnacht and the Masada Project
4. Queer Dada Judaism: G-d Is My Co-Pilot and the "Inbetween Space"
5. Shelley Hirsch and Anthony Coleman: Music and Memory from the "Nowhere Place"
Epilogue
Notes
Bibliography
Index
Zusatzinfo | 1 Tables, black and white |
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Verlagsort | Bloomington, IN |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 594 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
ISBN-10 | 0-253-01550-2 / 0253015502 |
ISBN-13 | 978-0-253-01550-1 / 9780253015501 |
Zustand | Neuware |
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