New Collecting: Exhibiting and Audiences after New Media Art

Beryl Graham is Research Professor at the University of Sunderland, UK.

Foreword Paying Attention to Media Art’s History, Barbara London; Introduction, Beryl Graham; Chapter 1 Modes of Collection, Beryl Graham; Chapter 2 Collecting New-Media Art: Just Like Anything Else, Only Different, Steve Dietz; Chapter 3 Old Media, New Media? Significant Difference and the Conservation of Software-Based Art, Pip Laurenson; Chapter 4 Self-Collection, Self-Exhibition? Rhizome and the New Museum, Heather Corcoran, Beryl Graham; Chapter 5 From Exhibition to Collection: Harris Museum and Art Gallery, Preston, Lindsay Taylor; Chapter 6 The Museum as Producer: Processing Art and Performing a Collection, Rudolf Frieling; Chapter 7 Objects, Intent, and Authenticity: Producing, Selling, and Conserving Media Art, Caitlin Jones; Chapter 8 Curating Emerging Art and Design at the Victoria and Albert Museum, Louise Shannon; Chapter 9 Collecting Experience: The Multiple Incarnations of Very Nervous System, Lizzie Muller; Chapter 10 Murky Categorization and Bearing Witness: The Varied Processes of the Historicization of New Media Art, Sarah Cook;