Italian Renaissance Art

Laurie Schneider Adams is Professor Emerita at John Jay College, City University of New York. At the Graduate centre she taught courses on Art and Psychoanalysis, Artists' Biographies and Autobiographies, and the Italian Renaissance. She is the editor of the quarterly journal Source: Notes in the History of Art and the author of Art Across Time, A History of Western Art, The Methodologies of Art, as well as numerous other works.

PART ONE -- PRECURSORS OF THE RENAISSANCE -- CHAPTER ONE -- The Thirteenth Century -- CHAPTER TWO -- Trecento Precursors -- PART TWO -- THE QUATTROCENTO -- CHAPTER THREE -- Architecture and Sculpture in Florence: 1400–1430 -- CHAPTER FOUR -- Painting in Florence: 1400–1430 -- CHAPTER FIVE -- Painting in Florence: 1430–1460 -- CHAPTER SIX -- Painting in Florence, II: 1430–1460 -- CHAPTER SEVEN -- Sculpture and Architecture in Florence: 1430s–1460s -- CHAPTER EIGHT -- Developments in Siena, Rimini, and Pienza: 1400–1460 -- CHAPTER NINE -- Developments in Umbria, the Marches, and Naples: 1400s–1460s -- CHAPTER TEN -- Sculpture and Architecture in Florence after 1450 -- CHAPTER ELEVEN -- Painting in Florence after 1450 -- CHAPTER TWELVE -- Fifteenth-Century Developments in Verona, Ferrara, and Mantua -- CHAPTER THIRTEEN -- Developments in Late Fifteenth- and Early Sixteenth-Century Venice -- PART THREE -- THE CINQUECENTO -- CHAPTER FOURTEEN -- Leonardo and Bramante: Late Fifteenth- and Early Sixteenth-Century Developments in Florence and Milan -- CHAPTER FIFTEEN -- Michelangelo and Raphael: The Late Fifteenth Century to 1505 -- CHAPTER SIXTEEN -- Bramante, Michelangelo, Raphael: Developments in Rome to 1520 -- CHAPTER SEVENTEEN -- Venice in the Sixteenth Century -- CHAPTER EIGHTEEN -- Michelangelo after 1520 and the Transition to Mannerism -- Timeline -- Glossary of Art-Historical and Stylistic Terms -- Select Bibliography -- Notes -- Picture Credits -- Index.