Public Properties
Museums in Imperial Japan
Seiten
2013
Duke University Press (Verlag)
978-0-8223-5413-0 (ISBN)
Duke University Press (Verlag)
978-0-8223-5413-0 (ISBN)
Public Properties is a historical account of how museums in Japan and its empire contributed to the reimagining of state and society during Japan's imperial era, from 1868 until 1945.
In the late nineteenth century, Japan's new Meiji government established museums to showcase a national aesthetic heritage. Inspired by Western museums and expositions, these institutions were introduced by government officials hoping to spur industrialization and self-disciplined public behavior, and to cultivate an "imperial public" loyal to the emperor. Japan's network of museums expanded along with its colonies. By the mid-1930s, the Japanese museum system had established or absorbed institutions in Taiwan, Korea, Sakhalin, and Manchuria. Not surprising, colonial subjects' views of Japanese imperialism differed from those promulgated by the Japanese state. Meanwhile, in Japan, philanthropic and commercial museums were expanding, revising, and even questioning the state-sanctioned aesthetic canon. Public Properties describes how museums in Japan and its empire contributed to the reimagining of state and society during the imperial era, despite vigorous disagreements about what was to be displayed, how, and by whom it was to be seen.
In the late nineteenth century, Japan's new Meiji government established museums to showcase a national aesthetic heritage. Inspired by Western museums and expositions, these institutions were introduced by government officials hoping to spur industrialization and self-disciplined public behavior, and to cultivate an "imperial public" loyal to the emperor. Japan's network of museums expanded along with its colonies. By the mid-1930s, the Japanese museum system had established or absorbed institutions in Taiwan, Korea, Sakhalin, and Manchuria. Not surprising, colonial subjects' views of Japanese imperialism differed from those promulgated by the Japanese state. Meanwhile, in Japan, philanthropic and commercial museums were expanding, revising, and even questioning the state-sanctioned aesthetic canon. Public Properties describes how museums in Japan and its empire contributed to the reimagining of state and society during the imperial era, despite vigorous disagreements about what was to be displayed, how, and by whom it was to be seen.
Noriko Aso is Associate Professor of History at the University of California, Santa Cruz.
List of Illustrations ix
Acknowledgments xi
Introduction 1
1. Stating the Public 13
2. Imperial Properties 63
3. Colonial Properties 95
4. The Private Publics of Ohara, Shibusawa, and Yanagi 127
5. Consuming Publics 169
Epilogue 203
Notes 223
Bibliography 279
Index 297
Reihe/Serie | Asia-Pacific: Culture, Politics, and Society |
---|---|
Zusatzinfo | 33 photographs, 6 tables |
Verlagsort | North Carolina |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 553 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
ISBN-10 | 0-8223-5413-6 / 0822354136 |
ISBN-13 | 978-0-8223-5413-0 / 9780822354130 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Europa 1848/49 und der Kampf für eine neue Welt
Buch | Hardcover (2023)
DVA (Verlag)
48,00 €
Giordano Bruno - ein ketzerisches Leben
Buch | Hardcover (2024)
C.H.Beck (Verlag)
29,90 €