Doubt and Skepticism in Antiquity and the Renaissance
Cambridge University Press (Verlag)
978-1-107-02465-6 (ISBN)
This book is an interdisciplinary study of the forms and uses of doubt in works by Homer, Sophocles, Aristophanes, Cicero, Machiavelli, Shakespeare and Montaigne. Based on close analysis of literary and philosophical texts by these important authors, Michelle Zerba argues that doubt is a defining experience in antiquity and the Renaissance, one that constantly challenges the limits of thought and representation. The wide-ranging discussion considers issues that run the gamut from tragic loss to comic bombast, from psychological collapse to skeptical dexterity and from solitary reflection to political improvisation in civic contexts and puts Greek and Roman treatments of doubt into dialogue not only with sixteenth-century texts but with contemporary works as well. Using the past to engage questions of vital concern to our time, Zerba demonstrates that although doubt sometimes has destructive consequences, it can also be conducive to tolerance, discovery and conversation across sociopolitical boundaries.
Michelle Zerba is Associate Professor of English, Classics, and Comparative Literature at Louisiana State University. She is the author of Tragedy and Theory: The Problem of Conflict since Aristotle (1988) and numerous articles on literature, rhetoric and philosophy in antiquity and the Renaissance.
Introduction; Part I. 'Farewell the Tranquil Mind': Tragic Doubt in Homer's Iliad, Sophocles' Philoctetes, and Shakespeare's Othello: 1. Achilles' doubt and the construction of a heroism-at-one-remove in Homer's Iliad; 2. Moral doubt and the contradictory claims of pity in Sophocles' Philoctetes; 3. 'Do as if for surety': doubt and delusions of certainty in Shakespeare's Othello; Part II. Comic Skepticism and Polytropic Strategies in Homer's Odyssey, Aristophanes' Women of the Thesmophoria, and Shakespeare's As You Like It: 4. Wandering Odysseus, pyrrhonist Penelope, and the return from alienation in Homer's Odyssey; 5. Parody, androgyny, and skeptical inversions of gender and genre in Aristophanes' Women of the Thesmophoria and Shakespeare's As You Like It; Part III. Skepticism, Politics, and Rhetoric in the Works of Cicero, Machiavelli, and Montaigne: 6. Skeptical constructions of identity in Roman and Renaissance humanism; 7. Academic skepticism and Cicero's republican politics; 8. A Ciceronian Machiavelli; 9. Montaigne's pyrrhonist politics.
| Verlagsort | Cambridge |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 570 g |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Geschichte der Philosophie |
| Geisteswissenschaften ► Philosophie ► Philosophie Altertum / Antike | |
| Geisteswissenschaften ► Philosophie ► Philosophie des Mittelalters | |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| ISBN-10 | 1-107-02465-X / 110702465X |
| ISBN-13 | 978-1-107-02465-6 / 9781107024656 |
| Zustand | Neuware |
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