Literary Portraits in the Novels of F. M. Dostoevskij
Seiten
1989
Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
978-3-87690-439-9 (ISBN)
Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
978-3-87690-439-9 (ISBN)
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Dostoevskij's of literary portraits are verbal accounts in which physical appearance and facial expression are described not only to evoke a visual image, but more specifically to discern the inner man. Dostoevskij was a close observer of the physical properties of his characters. He employed them to delineate psychological and moral disposition.
In approaching F. M . Dostoevskij's novels with the express purpose of identifying and determining the function of literary portraiture, one is faced with an unexpected enormous gallery of literary portraits. These are verbal accounts or drawings in words, in which physical appearance and facial expression are described not only to evoke a visual image, but more specifically to discern the inner man. The vast amount of material that came to light in the pursuit of this study has necessitated a selection and omission of equally valid specimens, which would further substantiate that Dostoevskij was a close observer of the physical properties of his characters and that he employed them to delineate psychological and moral disposition.
In approaching F. M . Dostoevskij's novels with the express purpose of identifying and determining the function of literary portraiture, one is faced with an unexpected enormous gallery of literary portraits. These are verbal accounts or drawings in words, in which physical appearance and facial expression are described not only to evoke a visual image, but more specifically to discern the inner man. The vast amount of material that came to light in the pursuit of this study has necessitated a selection and omission of equally valid specimens, which would further substantiate that Dostoevskij was a close observer of the physical properties of his characters and that he employed them to delineate psychological and moral disposition.
Dostoevskij's Concept of Man and its Artistic Depiction in Literary Portraiture - The Early Period:
The Landlady (1847), Netochka Nezvanova (1849), The Village of Stepanchikovo (1859), The Insulted and Injured (1861), Notes from the House of Death (1861) - The Beginning o f the Period of the G reat Novels: Notes from the Underground (1864), Crime and Punishment (1866), The Gambler (1867), The Idiot (1868) - The Novels o f the I870's: The Eternal Husband (1870), The Possessed (1871-72), A Raw Youth (1875) - The Brothers Karamazov (1879-80)
Erscheint lt. Verlag | 1.1.1989 |
---|---|
Reihe/Serie | Vorträge und Abhandlungen zur Slavistik ; 16 |
Verlagsort | Frankfurt a.M. |
Sprache | deutsch |
Maße | 148 x 210 mm |
Gewicht | 179 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Slavistik |
Schlagworte | 19th century novel • characterization in Dostoyevsky • Dostoevskij • Dostoyevsky's concept of man • Heier • Literary • literary portraiture • Novels • Portraits • Russian Literature |
ISBN-10 | 3-87690-439-0 / 3876904390 |
ISBN-13 | 978-3-87690-439-9 / 9783876904399 |
Zustand | Neuware |
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