Performing Interpersonal Violence

Die Beiträge dieser gesamtaltertumswissenschaftlichen Reihe behandeln hauptsächlich Themen zur Antike aus dem Bereich der Literatur-, Bild-, Medien-, Theater-, Religions- und Kulturwissenschaften. Ein besonderer Schwerpunkt liegt auf der Anwendung moderner Theorien, z. B. auf dem Gebiet der Anthropologie, Performativität und Narrativität, auf dem interdisziplinären Vergleich, auf der mythisch-rituellen und ikonischen Poetik von Texten und bildlichen Darstellungen sowie auf der Rezeption antiker Stoffe in diesem Kontext.

---

This book offers the first attempt at understanding interpersonal violence in ancient Athens. While the archaic desire for revenge persisted into the classical period, it was channeled by the civil discourse of the democracy. Forensic speeches, curse tablets, and comedy display a remarkable openness regarding the definition of violence. But in daily life, Athenians had to draw the line between acceptable and unacceptable behavior. They did so by enacting a discourse on violence in the performance of these genres, during which complex negotiations about the legitimacy of violence took place. Performances such as the staging of trials and comedies ritually defined the meaning of violence and its appropriate application. Speeches and curse tablets not only spoke about violence, but also exacted it in a mediated form, deriving its legitimate use from a democratic principle, the communal decision of the human jurors in the first case and the underworld gods in the second. Since discourse and reality were intertwined and the discourse was ritualized, actual violence might also have been partly ritualized. By still respecting the on-going desire to harm one’s enemy, this partial ritualization of violence helped restrain violence and thus contributed to Athens’ relative stability.