Icons - Texts - Iconotexts
De Gruyter (Verlag)
978-3-11-014291-4 (ISBN)
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) / WAGNER, PETER -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine / DUBOST, JEAN-PIERRE -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” / FORT, BERNADETTE -- Ekphrasis and the Mimetic Crisis of Romanticism / BURWICK, FREDERICK -- Ecritures de l’image chez Théophile Gautier / MONTANDON, ALAIN -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure / CUSSET, CATHERINE -- Sterne and Fragonard: “The Escapades of Death” / OGÉE, FRÉDÉRIC -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century / PAULSON, RONALD -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt / ETTE, OTTMAR -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels / SABOR, PETER -- Appropriating Botticelli: English Approaches 1860–1890 / LOTTES, WOLFGANG -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis / HEFFERNAN, JAMES A. W. -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading / WAGNER, PETER -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature / BINDMAN, DAVID -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” / PAPE, WALTER -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- Backmatter
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality - the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l'écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard's "Coresus and Callirhoe" -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l'image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: "The Escapades of Death" -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen's Novels -- Appropriating Botticelli: English Approaches 1860-1890 -- Entering the Museum of Words: Browning's "My Last Duchess" and Twentieth-Century Ekphrasis -- Oscar Wilde's "Impression du matin" - an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray's Caricature -- The Battle of the Signs: Robert Crumb's Visual Reading of James Boswell's "London Journal" -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420
Erscheint lt. Verlag | 5.3.1996 |
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Reihe/Serie | European Cultures ; 6 |
Zusatzinfo | 63 b/w ill., 15 colour plates |
Verlagsort | Berlin/Boston |
Sprache | englisch |
Maße | 155 x 230 mm |
Gewicht | 736 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft | |
Schlagworte | Art and Literature • Beschreibung • Bilderschrift • Description (Rhetoric) • Eichstätt <1993¿ • Eichstätt <1993> • Ekphrasis • European Literature • Hardcover, Softcover / Allgemeine und Vergleichende Literaturwissenschaft • HC/Sachbücher/Kunst, Literatur/Kunst/Allgemeines, Nachschlagewerke • Kongress • Kunst • Kunstbetrachtung • Literarische Beschreibung • Words in art |
ISBN-10 | 3-11-014291-0 / 3110142910 |
ISBN-13 | 978-3-11-014291-4 / 9783110142914 |
Zustand | Neuware |
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