Music on the Shakespearian Stage
Seiten
2009
Cambridge University Press (Verlag)
978-1-108-00438-1 (ISBN)
Cambridge University Press (Verlag)
978-1-108-00438-1 (ISBN)
In this lively 1913 introduction to the field of early modern music in the theatre, Cowling explains what kinds of music were used on the Elizabethan stage, and describes where in the theatre, at which point during the plays and with which instruments and personnel, the music was performed.
George H. Cowling (1881–1946), Lecturer in English at the University of Leeds and subsequently Professor of English at Melbourne, wrote this study as his dissertation, inspired by his own love of music. He shows what kinds of music were used on the Elizabethan stage, and explains where in the theatre, at which point during the plays and with which instruments and personnel the music was performed. He also assesses what both songs and incidental music contributed to the meaning and the performance of Shakespeare, going back to examine the roots of dramatic music in the use of religious music in the medieval Mystery plays. He offers a lively and approachable introduction to the subject that provides a way into the field of early modern music in the theatre, and a foundation for more detailed critical work.
George H. Cowling (1881–1946), Lecturer in English at the University of Leeds and subsequently Professor of English at Melbourne, wrote this study as his dissertation, inspired by his own love of music. He shows what kinds of music were used on the Elizabethan stage, and explains where in the theatre, at which point during the plays and with which instruments and personnel the music was performed. He also assesses what both songs and incidental music contributed to the meaning and the performance of Shakespeare, going back to examine the roots of dramatic music in the use of religious music in the medieval Mystery plays. He offers a lively and approachable introduction to the subject that provides a way into the field of early modern music in the theatre, and a foundation for more detailed critical work.
Introduction; 1. Music in pre-Shakespearian drama; 2. An Elizabethan stage and its music; 3. Musical instruments and their uses; 4. Incidental music; 5. Musicians, singers and songs; 6. Elizabethan music, and its share in the drama; 7. Some literary allusions to music in Elizabethan plays; Bibliography; Appendix; Index.
Erscheint lt. Verlag | 20.7.2009 |
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Reihe/Serie | Cambridge Library Collection - Shakespeare and Renaissance Drama |
Zusatzinfo | 11 Halftones, black and white |
Verlagsort | Cambridge |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 230 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-108-00438-5 / 1108004385 |
ISBN-13 | 978-1-108-00438-1 / 9781108004381 |
Zustand | Neuware |
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