
Birds of America (eBook)
291 Seiten
Knopf Doubleday Publishing Group (Verlag)
978-0-307-81688-7 (ISBN)
A long-awaited collection of stories--twelve in all--by one of the most exciting writers at work today, the acclaimed author of Who Will Run the Frog Hospital? and Self-Help. Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.
From the opening story, 'Willing'--about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being--Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America.
In the story 'Which Is More Than I Can Say About Some People' ('There is nothing as complex in the world--no flower or stone--as a single hello from a human being'), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is.
In 'Charades,' a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties.
In 'Community Life,'a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in 'Four Calling Birds, Three French Hens,' a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Hagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.
In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.
“Fluid, cracked, mordant, colloquial…. Stand[s] by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review The celebrated collection of twelve stories from one of the finest authors at work today.A New York Times Book of the Year A National Book Critics Circle Award FinalistWinner of the Salon Book AwardA Village Voice Book of the Year“A marvelous collection…. Her stories are tough, lean, funny, and metaphysical…. Birds of America has about it a wild beauty that simply makes one feel more connected to life.” —The Boston Globe “At once sad, funny, lyrical and prickly, Birds of America attests to the deepening emotional chiaroscuro of her wise and beguiling work.” —The New York Times “Stunning…. There’s really no one like Moore; in a perfect marriage of art form and mind, she has made the short story her own.” —Milwaukee Journal Sentinel “Birds of America stands as a major work of American short fiction…. Absolutely mastered.” —Elle “Wonderful…. These stories impart such terrifying truths.” —Philadelphia Inquirer “Lorrie Moore soars with Birds of America.... A marvelous, fiercely funny book.” —Newsweek “Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore.” —Harper’s Magazine
Each year now, the stage is a new one--their aging parents, in their restless old age, buying and selling town houses, moving steadily southward from Maine. The real estate is Therese's mother's idea. Since he's retired, Therese's father has focused more on bird feeders, he is learning how to build them. 'Who knows what he'll do next?' Her mother sighs. 'He'll probably start carving designs into the side of the house.'
This year, they are in Bethesda, Maryland, near where Andrew, Therese's brother, lives. Andrew works as an electrical engineer and is married to a sweet, pretty, part-time private detective named Pam. Pam is pixie-haired and smiley. Who would ever suspect her of discreetly gathering confidences and facts for one's adversaries? She freezes hams. She makes Jell-O salad days in advance. She and Andrew are the parents of a one-and-a-half-year-old named Winnie, who already reads.
Reads the reading videos on TV, but reads.
Everyone has divided into teams, four and four, and written the names of famous people, songs, films, plays, books on scraps of wrapping paper torn off the gifts hours earlier. It is another few hours until Therese and her husband Ray's flight, at 4:30, from National Airport. 'Yes,' says Therese, 'I guess we'll have to forgo the 'Averell Harriman: Statesman for All Seasons' exhibit.'
'I don't know why you couldn't catch a later flight,' says Therese's sister, Ann. She is scowling. Ann is the youngest, and ten years younger than Therese, who is the oldest, but lately Ann's voice has taken up a prissy and matronly scolding that startles Therese. 'Four-thirty,' says Ann, pursing her lips and propping her feet up on the chair next to her. 'That's a little ridiculous. You're missing dinner.' Her shoes are pointy and Victorian-looking. They are green suede--a cross between a courtesan's and Peter Pan's.
The teams are divided in such a way that Therese and Ray and her parents are on one team, Andrew and Pam, Ann and Tad, Ann's fianc, on the other. Tad is slender and red-haired, a marketing rep for Neutrogena. He and Ann have just become engaged. After nearly a decade of casting about in love and work, Ann is now going to law school and planning her summer wedding. Since Therese worked for years as a public defender and is currently, through a fluky political appointment, a county circuit court judge, she has assumed that Ann's decision to be a lawyer is a kind of sororal affirmation, that it will somehow mean the two of them will have new things in common, that Ann will have questions for her, observations, forensic things to say. But this seems not to be so. Ann appears instead to be preoccupied with trying to hire bands and caterers, and to rent a large room in a restaurant. 'Ugh,' said Therese sympathetically. 'Doesn't it make you want to elope?' Therese and Ray were married at the courthouse, with the file clerks as witnesses.
Ann shrugged. 'I'm trying to figure out how to get everybody from the church to the restaurant in a way that won't wrinkle their outfits and spoil the pictures.'
'Really?' asked Therese. 'You are?'
The titles are put in two big salad bowls, each team receiving the other's bowl of titles. Therese's father goes first. 'All right! Everyone ready!' He has always been witty, competitive, tense, games have usually brought out the best and worst in him. These days, however, he seems anxious and elderly. There is a pain in his eyes, something sad and unfocused that sometimes stabs at them--the fear of a misspent life, or an uncertainty as to where he's left the keys. He signals that his assigned name is a famous...
Erscheint lt. Verlag | 7.3.2012 |
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Sprache | englisch |
Themenwelt | Literatur ► Romane / Erzählungen |
ISBN-10 | 0-307-81688-5 / 0307816885 |
ISBN-13 | 978-0-307-81688-7 / 9780307816887 |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
Haben Sie eine Frage zum Produkt? |

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