Producing Palestine

Dina Matar is a Professor at the School of Oriental and African Studies (SOAS), University of London, UK. She is the Chair of the SOAS Centre of Palestine Studies. She is Series Editor of the series Political Communication and Media Practices in the Middle East and North Africa, and SOAS Palestine Studies. Helga Tawil-Souri is an Associate Professor in the Department of Media, Culture, and Communication and the Department of Middle Eastern and Islamic Studies at NYU, USA.

List of Figures
List of Contributors

Introduction

1 A Place Called Return, Rayya El Zein
2 Imagining Returns: Countless Palestinian Futures, Danah Abdulla and Sarona Abuaker
3 Re-centring Palestine and Palestinians in poster art, Dina Matar
4 Becoming Al-Mulatham/a: Fedayee Art, Abu Obaida, and Palestinian TikTok, Nayrouz Abu Hatoum and Hadeel Assali
5 Vertical Visions of the Nakba: Towards a Topography of Layers, Viviane Saglier
6 Virtual Returns: Rehearsing and Remediating Returns in Palestinian Video Practices, Kareem Estefan
7 Reincarnated: Common Sense and the Poetics of Elsewhere, Aamer Ibraheem
8 Fugitive Crossings: On the Condition of Being Palestinian, Nadeem Karkabi and Kiven Strohm
9 Marking Bodies: A Catalogue of Keffiyehs, Sary Zananiri
10 We’re Still Alive, so Remove Us from Memory: Asynchronicity and the Museum in Resistance, Lara Khaldi
11 Forging Revolutionary Objects, Stephen Sheehi
12 Cooking Online with Chef Fadi, Anne Meneley
13 Interactive Documentary, Layers of Historical Cracks, Dale Hudson
14 Palestine and the Question of Queer Arabness, Sophie Chamas
15 Refractions, Helga Tawil-Souri
16 Terra Ex Machina, Hagit Keysar, Ariel Kane, and Barak Brinker

Epilogue
Index