Carlos Villa
University of California Press (Verlag)
978-0-520-34889-9 (ISBN)
Carlos Villa has been described as the preeminent Filipino American artist—a legend in artistic circles for his groundbreaking approaches and his influence on countless artists—but he remains little known to many fans and scholars of modern and contemporary art. Carlos Villa: Worlds in Collision is the first museum retrospective of his work, presented at the San Francisco Art Institute and the Asian Art Museum of San Francisco.
Villa was trained at the San Francisco Art Institute in the 1950s as an abstract expressionist, and over time he transformed his practice to address issues of ethnic and cultural diversity. He concurrently assumed a leadership role in “Third World” and “multicultural” international art movements, and his large-scale works reference non-Western traditions, including tattoo, scarification, ritual, and ceremony. He was also an important theorist, curator, and organizer of public forums that he called “actions.”
This book traces the arc of his career from 1969 until his death in 2013, with emphasis on his feathered works from the 1970s, as well as later works that address aspects of the history of Filipinos in the United States. It illuminates the social and cultural roots—and global importance—of Villa’s art and teaching career as he sought to forge a new kind of art-world inclusion that reflected his own experience, commitment to diversity, and boundary-bending imagination.
Published in association with the San Francisco Art Institute.
Exhibition dates:
Newark Museum of Art: February 8, 2022–May 8, 2022
San Francisco Art Institute & Asian Art Museum: June 17, 2022–Fall 2022
Mark Dean Johnson is Professor of Art at San Francisco State University and a curator. He has written about Viila’s work previously for multiple publications. Trisha Lagaso Goldberg is an artist, arts administrator, and curator who previously co-curated a project with Villa entitled Sino Ka? Ano Ka?: San Francisco Babaylan for San Francisco State University and the Museo Ng Maynila in 1998.
ACKNOWLEDGMENTS
Jennifer Rissler
PREFACE Tracing Carlos Villa’s Path
Jay Xu
FOREWORD Making the World Smaller: Carlos Villa’s Polyculturalism
Lucy R. Lippard
INTRODUCTION Roots, Rituals, Actions : Worlds in Collision
Mark Dean Johnson and Trisha Lagaso Goldberg
Carlos Villa: Ascent against the Odds
Paul J. Karlstrom
PORTFOLIO Ethnographic Inspirations: Works from the 1970s
Mark Dean Johnson, Trisha Lagaso Goldberg, and Sherwin Rio
Transcultural Sampling: The Reimagined Worlds of Carlos Villa
Margo Machida
PORTFOLIO A Smaller World: Carlos Villa and the Global Collections at the Newark Museum
Tricia Laughlin Bloom
Villa’s Fake Book
Theodore S. Gonzalves
America Is In His Art: Carlos Villa’s Poetics of Multiculturalism
Luis H. Francia
PORTFOLIO Words in Space: Carlos Villa’s 1990s Notepad Drawings
Mark Dean Johnson, Trisha Lagaso Goldberg, and Sherwin Rio
Worlds in Collision, Exploding Galaxy, Voyage into the Absolute
Patrick D. Flores
CATALOGUE Mark
Dean Johnson and Sherwin Rio
CHRONOLOGY
Sherwin Rio
SELECTED BIBLIOGRAPHY
CONTRIBUTORS
INDEX
Erscheinungsdatum | 13.10.2021 |
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Co-Autor | Sherwin Rio |
Zusatzinfo | 150 color illustrations |
Verlagsort | Berkerley |
Sprache | englisch |
Maße | 241 x 279 mm |
Gewicht | 1315 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-520-34889-3 / 0520348893 |
ISBN-13 | 978-0-520-34889-9 / 9780520348899 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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