Women Make Horror
Rutgers University Press (Verlag)
978-1-9788-0512-5 (ISBN)
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Winner of the the 2021 Best Edited Collection Award from BAFTSS
Winner of the 2021 British Fantasy Award in Best Non-Fiction
Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction
Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards
“But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.”
“Women are just not that interested in making horror films.”
This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body.
Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.
ALISON PEIRSE is an associate professor in film and media at the University of Leeds, UK. She is author of After Dracula: The 1930s Horror Film and co-editor of Korean Horror Cinema.
Contents
Acknowledgements
Chapter 1. Women Make (Write, Produce, Direct, Shoot, Edit and Analyze) Horror
Alison Peirse
Chapter 2. Stephanie Rothman and Vampiric Film Histories
Alicia Kozma
Chapter 3. Inside Karen Arthur’s The Mafu Cage
Alexandra Heller-Nicholas
Chapter 4. The Secret Beyond the Door: Daria Nicolodi and Suspiria’s Multiple Authorship
Martha Shearer
Chapter 5. Personal Trauma Cinema and the Experimental Videos of Cecelia Condit and Ellen Cantor
Katia Houde
Chapter 6. Self-Reflexivity and Feminist Camp in Freddy’s Dead: The Final Nightmare
Tosha R. Taylor
Chapter 7. Why Office Killer Matters
Dahlia Schweitzer
Chapter 8. Murders and Adaptations: Gender in American Psycho
Laura Mee
Chapter 9. Gender, Genre and Authorship in Ginger Snaps
Katarzyna Paszkiewicz
Chapter 10. The Feminist Art-Horror of the New French Extremity
Maddison McGillvray
Chapter 11. Women-Made Horror in Korean Cinema
Molly Kim
Chapter 12. The Stranger With My Face International Film Festival and the Australian Female Gothic
Donna McRae
Chapter 13. Slicing Up the Boys’ Club: The Female-led Horror Anthology Film
Erin Harrington
Chapter 14. The Transnational Gaze in A Girl Walks Home Alone at Night
Lindsey Decker
Chapter 15. Gigi Saul Guerrero and her Latin American Female Monsters
Valeria Villegas Lindvall
Chapter 16. Uncanny Tales: Lucile Hadžihalilović’s Évolution
Janice Loreck
Chapter 17. The (re)Birth of Pregnancy Horror in Alice Lowe’s Prevenge
Amy C. Chambers
Chapter 18. The Rise of the Female Horror Filmmaker-Fan
Sonia Lupher
Notes on Contributors
Index
| Erscheinungsdatum | 02.10.2020 |
|---|---|
| Co-Autor | Alison Peirse, Alicia Kozma, Alexandra Heller-Nicholas, Martha Shearer |
| Verlagsort | New Brunswick NJ |
| Sprache | englisch |
| Maße | 156 x 235 mm |
| Gewicht | 458 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 1-9788-0512-8 / 1978805128 |
| ISBN-13 | 978-1-9788-0512-5 / 9781978805125 |
| Zustand | Neuware |
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