Sounding Feminine - David Kennerley

Sounding Feminine

Women's Voices in British Musical Culture, 1780-1850

(Autor)

Buch | Hardcover
240 Seiten
2020
Oxford University Press Inc (Verlag)
978-0-19-009756-1 (ISBN)
79,95 inkl. MwSt
Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture, examining how the responses of late 18th- and early 19th-century audiences to the sounds of women's singing exposed the intricate links between gender, nationality, class, and religion in a pivotal era of change.
Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the musical world of the period, such as the popularity of particular genres with audiences of certain social backgrounds, and the reasons underpinning the development of prevalent types of nineteenth-century professional female vocality.

Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture. Arguing for the importance of the aural dimension of the past, author David Kennerley draws from a variety of fields-including sound studies, sensory histories, and gender theory-to examine how audiences heard different kinds of femininities in the voices of British female singers. Sounding Feminine explores the intense divisions over the "correct" use of the female voice, and the intricate links between gender, nationality, class, and religion in ascribing status, purpose, and morality to female singing. Through this lens, Kennerley also explores the formation of British middle-class identities and the cultural impact of the evangelical revival-deepening our understanding of this period of transformational change in British culture.

David Kennerley is a Leverhulme Early Career Fellow in History at Queen Mary University of London. He specializes in the history of music, sound, gender, and political culture in modern Britain. His work has been published in the Historical Journal, the English Historical Review, and the Journal of British Studies, and, with Oskar Cox Jensen and Ian Newman, he has co-edited Charles Dibdin and Late Georgian Culture (OUP, 2018).

Acknowledgements
Abbreviations

Introduction: Sounding Feminine
Chapter 1: Instructing women's voices in conduct literature
Chapter 2: Encountering women's voices in letters, diaries, and life-writing
Chapter 3: Criticising women's voices in the musical press
Chapter 4: Dorothea Solly's musical world: Class, religion, and the cultivation of the female voice
Chapter 5: The lives and voices of professional female singers: three vignettes
Epilogue: Voicing a new femininity

Bibliography
Index

Erscheinungsdatum
Reihe/Serie New Cultural History of Music
Zusatzinfo 3 figures; 6 music examples
Verlagsort New York
Sprache englisch
Maße 236 x 155 mm
Gewicht 476 g
Themenwelt Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Sozialwissenschaften Soziologie Gender Studies
ISBN-10 0-19-009756-6 / 0190097566
ISBN-13 978-0-19-009756-1 / 9780190097561
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Grundbegriffe, Harmonik, Formen, Instrumente

von Imogen Holst

Buch | Softcover (2021)
Philipp Reclam (Verlag)
7,80
Jazz als Gegenkultur im westlichen Nachkriegsdeutschland

von Stephan Braese

Buch | Hardcover (2024)
edition text + kritik (Verlag)
42,00
eine Einführung

von Michele Calella

Buch | Softcover (2023)
Laaber-Verlag
34,80