Avengers Assemble! (eBook)

Avengers Assemble! explores the cinematic and televisual branches of the Marvel Cinematic Universe from a diverse range of critical perspectives. Beginning with Iron Man, it considers them as both embodiments of the changing blockbuster film and affective cultural artifacts that are immersed in the turbulent political climate of their era.

McSweeneyTerence: Terence McSweeney is senior lecturer in Media Arts and Technology at Southampton Solent University. He is the author of The War on Terror and American Film: 9/11 Frames per Second' (Edinburgh University Press, 2014), Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky (Aporetic Press, 2015) and the co-editor of Millennial Cinema: Memory in Global Film (Wallflower, 2012).Terence McSweeney is senior lecturer in Media Arts and Technology at Southampton Solent University. He is the author of The War on Terror and American Film: 9/11 Frames per Second' (Edinburgh University Press, 2014), Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky (Aporetic Press, 2015) and the co-editor of Millennial Cinema: Memory in Global Film (Wallflower, 2012).

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We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, Terence McSweeney asks, "e;Why has the superhero genre reemerged so emphatically in recent years?"e; In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today?Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of their era.