An Ethics of Remembering

Edith Wyschogrod is professor of philosophy at Queens College of the City University of New York. Her most recent book is Spirit in Ashes: Hegel, Heidegger, and Man-Made Mass Death.

Illustrations Acknowledgments Prologue Abbreviations 1: Re-signing History, De-signing Ethics The Historian's Promise Historical Truth and the End of Representation The Necessity of Naming That Which Cannot Be Named: The Cataclysm Historical Narrative History as Science: L'Esprit de Geometrie et L'Esprit de Finesse Factuality Revisited: Lies, Fiction, Ficciones Ficciones and History: Foucault 2: Reading the Heterological Historian Reading Kant The Nihil and Analogy Heteronomy's Rule The Ends of History The Aesthetic and the Cataclysm 3: The Historical Object and the Mark of the Grapheme: Images, Simulacra, and Virtual Reality Runaway Images The Historian and the Camera: Still Photography The Co-optation of the Look History as Archive of the Moving Image The French Revolution in Narrative and Film Images and Information 4: Wired in the Absolute: Hegel and the Being of Appearance The Specular Absolute and Release from the Object Plenum and Void Terror and Cataclysm 5: Re-membering the Past: The Historian as Time Traveler Voyages in Time Time's Duality: From Hegel to Nietzsche and Back McTaggart's Paradox: Tensed and Tenseless Time The Speech and Silence of Heterology 6: Re-membering the Past The Tablet and the Aviary "That This Too Too Solid Flesh Would Melt" From "Trace" to Shining Trace Flickering Memories: Images and Signs La Cage aux Folles: From Tablet to Aviary and Back The Mind Is a Bone: Skull, Brains, and Memory Matter Matters: Brain States and Mental Acts Differance Is in the Neurons Ownerless Memories: Artificial Life and Biological Computers 7: The Gift of Community Unsaying Rational Community: Autochthony and Desire Humanity's Essence Is Production Exteriority and Community The Gift of the Future The Gift of Hope Notes Index