The Rolling Stones -

The Rolling Stones

Sociological Perspectives

Helmut Staubmann (Herausgeber)

Buch | Hardcover
256 Seiten
2013
Lexington Books (Verlag)
978-0-7391-7671-9 (ISBN)
108,45 inkl. MwSt
The contributors approach the Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music.
The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. Contributors approach The Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The essays in this volume focus on the question of how the worldwide success of The Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.

Helmut Staubmann is professor for social theory and cultural sociology and dean of the School of Political Science and Sociology at the University of Innsbruck, Austria. His research focuses on questions of aesthetics and society.

Intro: The Rolling Stones in Sociological Perspectives
By Helmut Staubmann
Part I: The Group
1. The Spider and the Fly: Authenticity, Dualism, and The Rolling Stones
By Andrea Cossu and Matteo Bortolini
Part II: (Counter-)Cultures – Music Scenes
2. The Anti-Beatles: The Beatles versus Stones Debate during the “British Invasion”
By Andre Millard
3. Exile on Main Street and the End of the Counterculture
By Barry J. Faulk
Part III: Movies
4. Sympathy for the Circus: The Rolling Stones, Documentary Film and the Construction of Authenticity
By Daniel M. Downes and June Madeley
5. “My Name is Called Disturbance”: Jagger, Performance, and the Spectacle of Excess
By Marlie Centawer
6. Gimme Shelter Revisited: Deconstructing Myths from 1969 and Altamont
By Michael Skladany
Part IV: Sexuality/Gender
7. Satisfaction: Sex and The Rolling Stones’ Personas, Performances, and Fan Reactions
By Andrea Baker
8. The Hegemonic Masculinity of The Rolling Stones and Where They Came to Rest
By Jason T. Eastman
Part V: In Concert
9. Ladies and Gentlemen, the Greatest Rock and Roll Band in the World: Reflections of the Rolling Stones in Concert
By Peter Smith
References
About the Authors

Co-Autor Andrea Baker, Matteo Bortolini, Andrea Cossu, Marlie Centawer
Verlagsort Lanham, MD
Sprache englisch
Maße 158 x 236 mm
Gewicht 517 g
Themenwelt Kunst / Musik / Theater Musik Jazz / Blues
Kunst / Musik / Theater Musik Pop / Rock
Sozialwissenschaften Soziologie Gender Studies
ISBN-10 0-7391-7671-4 / 0739176714
ISBN-13 978-0-7391-7671-9 / 9780739176719
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
zur politischen Ästhetik des Jazz

von Peter Kemper

Buch | Hardcover (2023)
Phillip Reclam (Verlag)
38,00

von Joe Lovano; Bill Milkowski

Buch | Hardcover (2019)
White Star (Verlag)
29,95
Die Geschichte des Jazz in Deutschland

von Wolfram Knauer

Buch | Softcover (2021)
Reclam, Philipp (Verlag)
20,00