The Spanish Literary Generation of 1968 - William M. Sherzer

The Spanish Literary Generation of 1968

José María Guelbenzu, Lourdes Ortiz, and Ana María Moix
Buch | Hardcover
180 Seiten
2012
University Press of America (Verlag)
978-0-7618-5799-0 (ISBN)
82,30 inkl. MwSt
This book focuses on three authors coming of age at an important moment in Spanish literary history and in world history at large. These authors incorporated into their novels the new ideas that they found in the writing of many foreign authors that were essential to their development.
The Spanish Literary Generation of 1968: José Maria Guelbenzu, Lourdes Ortiz, and Ana María Moix serves multiple purposes. Most importantly, it is an overview of an important moment in Spanish literary history that is connected to an extremely important moment in world history, 1968, as well as what that year represents in many countries, such as France, Germany, Mexico, and the United States. This text aims to show how young writers who were coming of age precisely at that moment incorporated into their novels the new ideas that they found in the writing of many foreign authors, generally unknown to previous generations, whose works were essential to their development. The author has focused on three authors who he feels are most representative of their generation, and follows with a lengthy study of the critical reception they have received over time. Finally, in an appendix, one will find excerpts of an unpublished novel by Lourdes Ortiz and interviews with all three authors. It is hoped that this text, with its extensive bibliography, will serve as a valuable source for students and professors alike.

William Sherzer is a professor emeritus of Brooklyn College and the Graduate Center of the City University of New York. A specialist in modern and contemporary Spanish literature, he has published books and articles on authors spanning from Benito Pérez Galdós to present day authors.

Preface
Acknowledgements
Introduction
I. José María Guelbenzu
II. Lourdes Ortiz
III. Ana María Moix
IV. In Conclusion
V. Critical Reception
VI. Appendix
VII. Works Cited

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