Money and Magic in Early Modern Drama

David Hawkes is Professor of English at Arizona State University, USA.

Acknowledgements
Notes on Contributors
Introduction: David Hawkes (Arizona State University, USA)
Chapter One: Daniel Vitkus (University of California, San Diego, USA), ‘The Perverse Eco-Politics of Object-Oriented Criticism: Money, Magical Thinking, and the New Materialism’
Chapter Two: William Casey Caldwell (Carthage College, USA), ‘The Vice of Collecting Money in Mankind’
Chapter Three: Kaitlyn Culliton (Texas A&M, USA), ‘Cozening Queens and Phony Fairies: Fairy Counterfeits in Early Modern Drama’
Chapter Four: David Hawkes (Arizona State University, USA), ‘The Sign of Abel Drugger: Fake News, Finance and Flattery in Ben Jonson’s ‘Dotages’
Chapter Five: Melissa Vipperman-Cohen (Eleanor Roosevelt College, USA) ‘Coins, Counterfeit, and Queer Threat in The Comedy of Errors’
Chapter Six: Hugh Grady (Arcadia University in Glenside, USA), ‘The Magic of Bounty in Timon of Athens: Gold, Society, Nature’
Chapter Seven: Kemal Onur Toker (Brandeis University, USA), ‘”An Antony that Grew the More by Reaping:” The Immeasurable Bounty of the Sharing Economy in Cleopatra’s Egypt’
Chapter Eight: Rebecca Steinberger (Misericordia University, USA), ‘Woman, Warrior, or Witch? Fetishizing Margaret of Anjou on the Early Modern Stage’
Chapter Nine: Ja Young Jeon (City University of New York, USA), ‘“The stone is mine:” Theater, Witchcraft, and Ventriloquism in The Winter’s Tale’
Index