John Baskerville

Art and Industry in the Enlightenment
Buch | Hardcover
288 Seiten
2017
Liverpool University Press (Verlag)
978-1-78694-064-3 (ISBN)

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The eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75) was an inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. This publication explores Baskerville in his social and economic context and evaluates his impact.
This book is concerned with the eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75). Baskerville was a Birmingham inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. Baskerville not only designed one of the world’s most historically important typefaces, he also experimented with casting and setting type, improved the construction of the printing-press, developed a new kind of paper and refined the quality of printing inks. His typographic experiments put him ahead of his time, had an international impact and did much to enhance the printing and publishing industries of his day. Yet despite his importance, fame and influence many aspects of Baskerville’s work and life remain unexplored and his contribution to the arts, industry, culture and society of the Enlightenment are largely unrecognized. Moreover, recent scholarly research in archaeology, art and design, history, literary studies and typography, is leading to a fundamental reassessment of many aspects of Baskerville’s life and impact, including his birthplace, his work as an industrialist, the networks which sustained him and the reception of his printing in Britain and overseas. The last major, but inadequate publication of Baskerville dates from 1975. Now, forty years on, the time is ripe for a new book. This interdisciplinary approach provides an original contribution to printing history, eighteenth-century studies and the dissemination of ideas.

Caroline Archer-Parré is Professor of Typography at Birmingham City University, Director of the Centre for Printing History & Culture and Chairman of the Baskerville Society. She is the author of The Kynoch Press, 1876-1982: the anatomy of a printing house, (British Library, 2000); Paris Underground (MBP, 2004); and Tart cards: London’s illicit advertising art (MBP, 2003). Caroline is currently Co-investigator on the AHRC-funded project, ‘Letterpress Printing: past, present, future’. Malcolm Dick is Director of the Centre for West Midlands History at the University of Birmingham. He directed two history projects in Birmingham between 2000 and 2004: the Millennibrum Project, which created a multi-media archive of post-1945 Birmingham history and Revolutionary Players which produced an online resource of the history of the West Midlands region. Malcolm has published books on Joseph Priestley, Matthew Boulton and the history of Birmingham and co-directs the Centre for Printing History & Culture.

List of Figures viiAcknowledgements xiForeword xiiiTimeline xv
Baskerville Family Tree xvii

Introduction: John Baskerville: Art and Industry ofthe Enlightenment 1Caroline Archer-Parré and Malcolm Dick1 The Topographies of a Typographer: Mapping JohnBaskerville since the Eighteenth Century 9Malcolm Dick2 Baskerville’s Birmingham: Printing and the English Urban Renaissance 25John Hinks3 Place, Home and Workplace: Baskerville’s Birthplaceand Buildings 42George Demidowicz4 John Baskerville: Japanner of ‘Tea Trays and otherHousehold Goods’ 71Yvonne Jones5 John Baskerville, William Hutton and their Social Networks 87Susan Whyman6 John Baskerville the Writing Master: Calligraphy and Typein the Seventeenth and Eighteenth Centuries 113Ewan Clayton7 A Reappraisal of Baskerville’s Greek Types 133Gerry Leonidas8 John Baskerville’s Decorated Papers 151Barry McKay and Diana Patterson9 The ‘Baskerville Bindings’ 166Aurélie Martin10 After the ‘Perfect Book’: English Printers and their Use ofBaskerville’s Type, 1767–90 185Martin Killeen11 The Cambridge Cult of the Baskerville Press 206Caroline Archer-Parré
Appendix 1 The ‘Baskerville Bindings’ 222Appendix 2 Members of the Baskerville Club 226Appendix 3 Comparative Bibliography 230Further Reading 248General Bibliography 255Notes on the Contributors 260Index 263

Erscheinungsdatum
Reihe/Serie Eighteenth Century Worlds ; 7
Zusatzinfo 34 Illustrations, black and white
Verlagsort Liverpool
Sprache englisch
Maße 163 x 239 mm
Themenwelt Literatur Biografien / Erfahrungsberichte
Kunst / Musik / Theater Design / Innenarchitektur / Mode
Sachbuch/Ratgeber Geschichte / Politik
Geschichte Allgemeine Geschichte Neuzeit (bis 1918)
Informatik Grafik / Design Desktop Publishing / Typographie
ISBN-10 1-78694-064-7 / 1786940647
ISBN-13 978-1-78694-064-3 / 9781786940643
Zustand Neuware
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