Assassination Vacation (eBook)

Preface

One night last summer, all the killers in my head assembled on a stage in Massachusetts to sing show tunes. There they were -- John Wilkes Booth, Charles Guiteau, Leon Czolgosz -- in tune and in the flesh. The men who murdered Presidents Lincoln, Garfield, and McKinley were elbow to elbow with Lee Harvey Oswald and the klutzy girls who botched their hits on klutzy Gerald Ford, harmonizing on a toe-tapper called 'Everybody's Got the Right to Be Happy,' a song I cheerfully hummed walking back to the bed-and-breakfast where I was staying.

Not that I came all the way from New York City just to enjoy a chorus line of presidential assassins. Mostly, I came to the Berkshires because of the man who brought one of those presidents back to life. I was there to visit Chesterwood, the house and studio once belonging to Daniel Chester French, the artist responsible for the Abraham Lincoln sculpture in the Lincoln Memorial. A nauseating four-hour bus ride from the Port Authority terminal just to see the room where some patriotic chiseler came up with a marble statue? For some reason, none of my friends wanted to come with.

Because I had to stay overnight and this being New England, the only place to stay was a bed-and-breakfast. It was a lovely old country mansion operated by amiable people. That said, I am not a bed-and-breakfast person.

I understand why other people would want to stay in B&Bs. They're pretty. They're personal. They're 'quaint,' a polite way of saying 'no TV.' They are 'romantic,' i.e., every object large enough for a flower to be printed on it is going to have a flower printed on it. They're 'cozy,' meaning that a guest has to keep her belongings on the floor because every conceivable flat surface is covered in knickknacks, except for the one knickknack she longs for, a remote control.

The real reason bed-and-breakfasts make me nervous is breakfast. As if it's not queasy enough to stay in a stranger's home and sleep in a bed bedecked with nineteen pillows.

In the morning, the usually cornflake-consuming, wheat-intolerant guest is served floury baked goods on plates so fancy any normal person would keep them locked in the china cabinet even if Queen Victoria herself rose from the dead and showed up for tea. The guest, normally a silent morning reader of newspapers, is expected to chat with the other strangers staying in the strangers' home.

At my Berkshires bed-and-breakfast, I am seated at a table with one middle-aged Englishman and an elderly couple from Greenwich, Connecticut. The three of them make small talk about golf, the weather, and the room's chandeliers, one of which, apparently, is Venetian. I cannot think of a thing to say to these people. Seated at the head of the table, I am the black hole of breakfast, a silent void of gloom sucking the sunshine out of their neighborly New England day. But that is not the kind of girl my mother raised me to be. I consider asking the Connecticut couple if they had ever run into Jack Paar, who I heard had retired near where they live, but I look like I was born after Paar quit hosting The Tonight Show (because I was) and so I'd have to explain how much I like watching tapes of old programs at the Museum of Television and Radio and I don't want to get too personal.

It seems that all three of them attended a Boston Pops concert at Tanglewood the previous evening, and they chat about the conductor. This, I think, is my in. I, too, enjoy being entertained.

Relieved to have something, anything, to say, I pipe up, 'I went to the Berkshire Theatre Festival last night.'

'Oh, did you see Peter Pan?' the woman asks.

'No,' I say. 'Assassins!'

'What's...