Developments and Directions in Intellectual Property Law

Hayleigh Bosher is a Senior Lecturer in Intellectual Property Law and Associate Dean (Professional Development and Graduate Outcomes) at Brunel University London, as well as, Visiting Research Fellow at the Centre for Intellectual Property, Policy and Management, writer and Book Review Editor for the specialist IP blog IPKat, founder of the World IP Women (WIPW) network, and a legal consultant in the creative industries. Hayleigh's research focuses on copyright law and the creative industries and in particular she has attained an international reputation for her work on copyright in the music industry. Eleonora Rosati is Full Professor of Intellectual Property Law and Director of the Institute for Intellectual Property and Market Law (IFIM) at Stockholm University. An IPKat contributor since 2012, Eleonora is Of Counsel at Bird & Bird and holds visiting/guest professorships at Universidade Católica Portuguesa, EDEHC Business School, and CEIPI-Université de Strasbourg. An Editor of the Journal of Intellectual Property Law & Practice, Eleonora is the author of several academic publications on IP issues and regularly collaborates with EU institutions and agencies, as well as professional, IP-focused organizations.

Jeremy Phillips: Foreword: 20 years of the IPKat
Eleonora Rosati and Hayleigh Bosher: Editors' note
Part 1 - Developments in IP law, policy, and practice: Katfriends' views
1: Robin Jacob: Twenty years of IPKat
2: Richard Arnold: IP in the English court system
3: Trevor Cook: The IP profession over the last twenty years
4: David Stone: 20 years of change in IP strategy and litigation
5: David Humphries: IP and evidence - A 20-year journey to the mainstream
6: Irene Calboli: Intellectual property teaching and research: How has the academy changed in the past two decades?
7: Jane C. Ginsburg: Twenty years of U.S. digital copyright: Adapting from analog
8: Maria Strong: A view from the U.S. Copyright Office: Serving the public, Congress, the courts, and more from 2001 to 2021
9: Maria Martin-Prat: 20 years after - The state of EU copyright law
10: Annette Kur: 20 years in design law - What has changed?
11: Frederick Mostert and Sheyna Cruz: How image rights have changed over the past 20 years
12: Daniel Gervais: Lessons from the TRIPS waiver debate
Part 2 - Developments in copyright and image/publicity rights
13: Eleonora Rosati: Copyright at the CJEU: Back to the start (of copyright protection)
14: Riana Harvey: The copyright protection of makeup
15: Mathilde Pavis: Sixty years of international performers' rights: Time for a performers' copyright?
16: Chijioke I. Okorie: Fair use or fair dealing in Africa: The South African experience
17: Hayleigh Bosher: Music copyright infringement cases in the US and UK: Building a house upon the sand or the rock?
18: Giorgio Luceri: Automatic Content Recognition (ACR) technologies: A copyright management tool for content-sharing platforms
19: Peter Ling: One does not simply upload a meme - Internet memes and the parody exemption in Europe
20: Mirko Brüß: From CD-copying vending machines to cloud-based TV recorders - 20 years of private copying in Germany
21: Marie-Andrée Weiss: New York right of publicity protects starlets and now ghouls
22: Emma Perot: Post-mortem rights of publicity - A comparison of New York and California
Part 3 - Developments in the law of trade marks and geographical indications
23: Darren Meale: Retromark: The last 20 years of trade marks
24: Ilanah Fhima: Psychology, prototypicality, and basic shapes: The 'shape resulting from the nature of the goods' exclusion under EU trade mark law
25: Valentina Torelli: 3D trade marks: Distinctiveness and scope of protection
26: Jan Jacobi: Context of use in colour marks
27: Lucas S. Michels: Revaluing periods of concurrent use in likelihood of confusion analyses
28: Anastasiia Kyrylenko: Sprechen Sie Cambozola? On the lessons from the early years of