Daring Young Man on the Flying Trapeze (Faber Editions) -  William Saroyan

Daring Young Man on the Flying Trapeze (Faber Editions) (eBook)

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2024 | 1. Auflage
252 Seiten
Faber & Faber (Verlag)
978-0-571-38349-8 (ISBN)
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JACK KEROUAC: 'I loved him ... He just got me' ARTHUR MILLER: 'The first to let it all hang out and write like a child in wonderland.' KURT VONNEGUT: 'Still the greatest.' JOSEPH HELLER: 'My primary inspiration.' STEPHEN FRY: 'One of the most underrated writers of the century.' Depression-era San Francisco, home to the lost souls of many races: immigrants, struggling writers and heartsick adolescents, collecting in automats, nightschools, movies and barbershops, working in vineyards, telegram exchanges and as salesmen - and always revelling in being alive. A bestseller on publication in 1934, The Daring Young Man on the Flying Trapeze was the debut collection by the Pulitzer Prize-winning (and rejecting) Armenian-American writer William Saroyan. Fusing Whitman's transcendence with the eccentric characterisation of Steinbeck and Salinger, and foreshadowing the rhapsodies of the Beats, his prose is a heart-expanding experience that intoxicates to this day.

William Saroyan (1908-1981) was born in California, the son of Armenian immigrants who escaped from the genocidal Turkish Ottoman Empire. His father - a preacher and poet who became a farm labourer - died when Saroyan was three, forcing the children to be briefly placed in an orphanage. Saroyan left school at fifteen, determined to become a writer and supporting himself through odd jobs. His first story collection was an instant bestseller in 1934 and fame ensued (he's mentioned in Breakfast at Tiffany's!) It was followed by dozens of celebrated novels, stories and plays including The Time of Your Life - for which he refused the 1939 Pulitzer Prize on the grounds that commerce should not judge art - and The Human Comedy, which won a 1944 Academy Award for his screenplay. In the 1940s he worked for Columbia and MGM in Hollywood, as well as travelling through the Soviet Union and Europe. Saroyan lived mainly in Paris from 1958, writing voraciously until his death in 1981. Stephen Fry was born in London in 1957 and educated at Cambridge, where he joined the Footlights and met Hugh Laurie. His television credits include A Bit of Fry and Laurie, Jeeves and Wooster, Blackadder and QI, and he is a regular contributor to radio shows and films as well as the audiobook narrator for Harry Potter. Fry is also the author of many bestselling novels, including The Liar, The Hippopotamus, Making History and The Stars' Tennis Balls, as well as a series of autobiographies - Moab is my Washpot, The Fry Chronicles and More Fool Me - and Mythos, Heroes and Troy, his retellings of Greek myths.
JACK KEROUAC: 'I loved him ... He just got me'ARTHUR MILLER: 'The first to let it all hang out and write like a child in wonderland.'KURT VONNEGUT: 'Still the greatest.'JOSEPH HELLER: 'My primary inspiration.'STEPHEN FRY: 'One of the most underrated writers of the century.'Depression-era San Francisco, home to the lost souls of many races: immigrants, struggling writers and heartsick adolescents, collecting in automats, nightschools, movies and barbershops, working in vineyards, telegram exchanges and as salesmen - and always revelling in being alive. A bestseller on publication in 1934, The Daring Young Man on the Flying Trapeze was the debut collection by the Pulitzer Prize-winning (and rejecting) Armenian-American writer William Saroyan. Fusing Whitman's transcendence with the eccentric characterisation of Steinbeck and Salinger, and foreshadowing the rhapsodies of the Beats, his prose is a heart-expanding experience that intoxicates to this day.

I. SLEEP


Horizontally wakeful amid universal widths, practising laughter and mirth, satire, the end of all, of Rome and yes of Babylon, clenched teeth, remembrance, much warmth volcanic, the streets of Paris, the plains of Jericho, much gliding as of reptile in abstraction, a gallery of watercolors, the sea and the fish with eyes, symphony, a table in the corner of the Eiffel Tower, jazz at the opera house, alarm clock and the tap-dancing of doom, conversation with a tree, the river Nile, Cadillac coupe to Kansas, the roar of Dostoyevsky, and the dark sun.

This earth, the face of one who lived, the form without the weight, weeping upon snow, white music, the magnified flower twice the size of the universe, black clouds, the caged panther staring, deathless space, Mr. Eliot with rolled sleeves baking bread, Flaubert and Guy de Maupassant, a wordless rhyme of early meaning, Finlandia, mathematics highly polished and slick as a green onion to the teeth, Jerusalem, the path to paradox.

The deep song of man, the sly whisper of someone unseen but vaguely known, hurricane in the cornfield, a game of chess, hush the queen, the king, Karl Franz, black Titanic, Mr. Chaplin weeping, Stalin, Hitler, a multitude of Jews, tomorrow is Monday, no dancing in the streets.

O swift moment of life: it is ended, the earth is again now.

II. WAKEFULNESS


He (the living) dressed and shaved, grinning at himself in the mirror. Very unhandsome, he said; where is my tie? (He had but one.) Coffee and a gray sky, Pacific Ocean fog, the drone of a passing streetcar, people going to the city, time again, the day, prose and poetry. He moved swiftly down the stairs to the street and began to walk, thinking suddenly, It is only in sleep that we may know that we live. There only, in that living death, do we meet ourselves and the far earth, God and the saints, the names of our fathers, the substance of remote moments; it is there that the centuries merge in the moment, that the vast becomes the tiny, tangible atom of eternity.

He walked into the day as alertly as might be, making a definite noise with his heels, perceiving with his eyes the superficial truth of streets and structures, the trivial truth of reality. Helplessly his mind sang, He flies through the air with the greatest of ease; the daring young man on the flying trapeze; then laughed with all the might of his being. It was really a splendid morning: gray, cold, and cheerless, a morning for inward vigor; ah, Edgar Guest, he said, how I long for your music.

In the gutter he saw a coin which proved to be a penny dated 1923, and placing it in the palm of his hand he examined it closely, remembering that year and thinking of Lincoln whose profile was stamped upon the coin. There was almost nothing a man could do with a penny. I will purchase a motorcar, he thought. I will dress myself in the fashion of a fop, visit the hotel strumpets, drink and dine, and then return to the quiet. Or I will drop the coin into a slot and weigh myself.

It was good to be poor, and the Communists—but it was dreadful to be hungry. What appetites they had, how fond they were of food! Empty stomachs. He remembered how greatly he needed food. Every meal was bread and coffee and cigarettes, and now he had no more bread. Coffee without bread could never honestly serve as supper, and there were no weeds in the park that could be cooked as spinach is cooked.

If the truth were known, he was half starved, and yet there was still no end of books he ought to read before he died. He remembered the young Italian in a Brooklyn hospital, a small sick clerk named Mollica, who had said desperately, I would like to see California once before I die. And he thought earnestly, I ought at least to read Hamlet once again; or perhaps Huckleberry Finn.

It was then that he became thoroughly awake: at the thought of dying. Now wakefulness was a state in the nature of a sustained shock. A young man could perish rather unostentatiously, he thought; and already he was very nearly starved. Water and prose were fine, they filled much inorganic space, but they were inadequate. If there were only some work he might do for money, some trivial labor in the name of commerce. If they would only allow him to sit at a desk all day and add trade figures, subtract and multiply and divide, then perhaps he would not die. He would buy food, all sorts of it: untasted delicacies from Norway, Italy, and France; all manner of beef, lamb, fish, cheese; grapes, figs, pears, apples, melons, which he would worship when he had satisfied his hunger. He would place a bunch of red grapes on a dish beside two black figs, a large yellow pear, and a green apple. He would hold a cut melon to his nostrils for hours. He would buy great brown loaves of French bread, vegetables of all sorts, meat; he would buy life.

From a hill he saw the city standing majestically in the east, great towers, dense with his kind, and there he was suddenly outside of it all, almost definitely certain that he should never gain admittance, almost positive that somehow he had ventured upon the wrong earth, or perhaps into the wrong age, and now a young man of twenty-two was to be permanently ejected from it. This thought was not saddening. He said to himself, sometime soon I must write An Application for Permission to Live. He accepted the thought of dying without pity for himself or for man, believing that he would at least sleep another night. His rent for another day was paid; there was yet another tomorrow. And after that he might go where other homeless men went. He might even visit the Salvation Army—sing to God and Jesus (unlover of my soul), be saved, eat and sleep. But he knew that he would not. His life was a private life. He did not wish to destroy this fact. Any other alternative would be better.

Through the air on the flying trapeze, his mind hummed. Amusing it was, astoundingly funny. A trapeze to God, or to nothing, a flying trapeze to some sort of eternity; he prayed objectively for strength to make the flight with grace.

I have one cent, he said. It is an American coin. In the evening I shall polish it until it glows like a sun and I shall study the words.

He was now walking in the city itself, among living men. There were one or two places to go. He saw his reflection in the plate-glass windows of stores and was disappointed with his appearance. He seemed not at all as strong as he felt; he seemed, in fact, a trifle infirm in every part of his body, in his neck, his shoulders, arms, trunk, and knees. This will never do, he said, and with an effort he assembled all his disjointed parts and became tensely, artificially erect and solid.

He passed numerous restaurants with magnificent discipline, refusing even to glance into them, and at last reached a building which he entered. He rose in an elevator to the seventh floor, moved down a hall and, opening a door, walked into the office of an employment agency. Already there were two dozen young men in the place; he found a corner where he stood waiting his turn to be interviewed. At length he was granted this great privilege and was questioned by a thin, scatterbrained miss of fifty.

Now tell me, she said; what can you do?

He was embarrassed. I can write, he said pathetically.

You mean your penmanship is good? Is that it? said the elderly maiden.

Well, yes, he replied. But I mean that I can write.

Write what? said the miss, almost with anger.

Prose, he said simply.

There was a pause. At last the lady said:

Can you use a typewriter?

Of course, said the young man.

All right, went on the miss, we have your address; we will get in touch with you. There is nothing this morning, nothing at all.

It was much the same at the other agency, except that he was questioned by a conceited young man who closely resembled a pig. From the agencies he went to the large department stores: there was a good deal of pomposity, some humiliation on his part, and finally the report that work was not available. He did not feel displeased, and strangely did not even feel that he was personally involved in all the foolishness. He was a living young man who was in need of money with which to go on being one, and there was no way of getting it except by working for it; and there was no work. It was purely an abstract problem which he wished for the last time to attempt to solve. Now he was pleased that the matter was closed.

He began to perceive the definiteness of the course of his life. Except for moments, it had been largely artless, but now at the last minute he was determined that there should be as little imprecision as possible.

He passed countless stores and restaurants on his way to the Y. M. C. A., where he helped himself to paper and ink and began to compose his Application. For an hour he worked on this document, then suddenly, owing to the bad air in the place and to hunger, he became faint. He seemed to be swimming away from himself with great strokes, and hurriedly left the building. In the Civic Center Park, across from the Public Library Building, he drank almost a quart of water and felt himself refreshed. An old man was standing in the center of the brick boulevard surrounded by sea gulls, pigeons, and robins. He...

Erscheint lt. Verlag 5.11.2024
Einführung Stephen Fry
Sprache englisch
Themenwelt Literatur Klassiker / Moderne Klassiker
Literatur Romane / Erzählungen
ISBN-10 0-571-38349-1 / 0571383491
ISBN-13 978-0-571-38349-8 / 9780571383498
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