Montažstroj’s Emancipatory Performance Politics - Leo Rafolt

Montažstroj’s Emancipatory Performance Politics

Never Mind the Score

(Autor)

Buch | Hardcover
314 Seiten
2022
Lexington Books/Fortress Academic (Verlag)
978-1-6669-2117-5 (ISBN)
109,95 inkl. MwSt
This book deals with the broader theoretical and philosophical context of performance art in former Yugoslavia. It focuses on the politically engaged performance activity of the Montažstroj group, putting it in the context of terrorism, globalism, radical democratic regimes, and identity politics.
This book deals with the broader theoretical and philosophical context of the performance art in former Yugoslavia, focusing on more than three decades of politically engaged performance activity of the Montažstroj group. Their activity is only a starting point for a deeper analysis of some of the key-notions of contemporary “art-ivism” in a much broader post-political and globalized context before, during, and after Yugoslavia and its Socialist paradigm collapsed. The author analyzes and sets notions of agonism, engagement, terrorism, post-war trauma, political populism, social Darwinism, participation and publicness, and the public sphere into different theoretical matrixes.

Leo Rafolt teaches performance studies, cultural theory, and theoretical dramaturgy, as a full professor, at the Academy of Arts and Culture of Josip Juraj Strossmayer University in Osijek, Croatia.

List of Figures

Acknowledgments

1. Preamble: Performance as Revolt, and the Scums of History

2. Perpetual Dynamism of Labored Bodies: From the Intrusion into the Institution

3. Meyerhold Bound, and the Barbaric Discipline of the Machine

4. Topography of Excess, or the Profanation of Performative Risk

5. Messianic Time, and Decay of the Post-Yugoslav Idea

6. Queer Immanence, and Technocentric Utopia of the Master and the Slave

7. On Emancipation Politics: Public Sphere between Irruption and Institution

8. Emancipate, Participate, or Else: Not Every Performance is a Democratic Regime

9. On Obstinacy, Minoritarianism, and the Performance Gaze

10. Performance of/or Debt: The Economy’s Frank Face

11. Terror of Acceptance: Mass-Murders and Political Dystopia

Performance References

References

Index

About the Author

Erscheinungsdatum
Sprache englisch
Maße 157 x 238 mm
Gewicht 599 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
ISBN-10 1-6669-2117-3 / 1666921173
ISBN-13 978-1-6669-2117-5 / 9781666921175
Zustand Neuware
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