The Imperfect Art
Reflections on Jazz and Modern Culture
Seiten
1988
Oxford University Press Inc (Verlag)
978-0-19-505343-2 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-505343-2 (ISBN)
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This stimulating study relates the work of great jazz musicians to subjects such as primitivism in the arts, neoclassicism, improvization and imperfection, and aesthetics in general.
This stimulating and perceptive study of jazz relates the work of jazz artists such as Louis Armstrong, Bix Beiderbecke, Lester Young, Duke Ellington, Charlie Parker, John Coltrane, and Ornette Coleman to such subjects as primitivism in the arts, neoclassicism, good and bad taste, improvisation and recordings and the imperfection of art, and aesthetics in general. Students of music and all those interested in jazz
This stimulating and perceptive study of jazz relates the work of jazz artists such as Louis Armstrong, Bix Beiderbecke, Lester Young, Duke Ellington, Charlie Parker, John Coltrane, and Ornette Coleman to such subjects as primitivism in the arts, neoclassicism, good and bad taste, improvisation and recordings and the imperfection of art, and aesthetics in general. Students of music and all those interested in jazz
About the Author Ted Gioia teaches jazz history and performance at Stanford University. His debut album as a jazz pianist, The End of the Open Road, will be released in Spring 1988.
Erscheint lt. Verlag | 25.8.1988 |
---|---|
Verlagsort | New York |
Sprache | englisch |
Maße | 140 x 200 mm |
Gewicht | 313 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
ISBN-10 | 0-19-505343-5 / 0195053435 |
ISBN-13 | 978-0-19-505343-2 / 9780195053432 |
Zustand | Neuware |
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