Voices, Bodies, Practices
Leuven University Press (Verlag)
978-94-6270-205-9 (ISBN)
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Catherine Laws is a pianist, reader in Music at the University of York, and senior artistic research fellow at the Orpheus Institute. William Brooks is professor of music at the University of York, emeritus professor at the University of Illinois, scholar-in-residence at the Newberry Library, and senior research fellow at the Orpheus Institute. David Gorton is a composer, senior postgraduate tutor and associate head of research at the Royal Academy of Music, associate professor at the University of London, and associate researcher at the Orpheus Institute, Ghent. Thanh Thủy Nguyễn is a đàn tranh player, a PhD candidate at Malmo Academy of Music at Lund University, and a đàn tranh teacher at Vietnam National Academy of Music. Stefan Östersjö is a guitarist, chaired professor of Musical Performance in Piteå School of Music at Luleå University of Technology, and associate researcher at the Orpheus Institute, Ghent. Jez Wells is an audio designer and senior lecturer in Sound Recording in the Department of Music at the University of York.
Figures
Contents of the Online Repository of Supplemental Files
Introduction
Catherine Laws
Chapter 1Austerity Measures I: Performing the Discursive Voice
David Gorton and Stefan Östersjö
Part 1: Collaboration and the discursive voice
Part 2: Analysing the discursive voice in performance
Conclusions
Chapter 2Being a Player: Agency and Subjectivity in Player PianoCatherine Laws
Part 1: Player Piano and Saying “I”
Part 2: The Embodied Subject in Player PianoPart 3: Instrument as Agent
Part 4: From Instrument to Ecology
Postlude: “Alone With My Ten Fingers”?
Chapter 3Footnotes
William Brooks, Stefan Östersjö, and Jeremy J. Wells
Part 1
Part 2
Part 3
Chapter 4Arrival Cities: Hanoi
Nguyễn Thanh Thủy and Stefan Östersjö
Arrival Cities: Hanoi
1. Introduction
2. Modes of collaboration
3. Documentary, empathy, and inter-subjectivity
4. The making of Arrival Cities: Hanoi
5. The discursive voice in intercultural collaboration
Conclusion
Catherine Laws
References
Notes on Contributors
Index
Erscheinungsdatum | 10.05.2021 |
---|---|
Reihe/Serie | Orpheus Institute Series |
Verlagsort | Leuven |
Sprache | englisch |
Maße | 195 x 285 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 94-6270-205-5 / 9462702055 |
ISBN-13 | 978-94-6270-205-9 / 9789462702059 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
aus dem Bereich