What's the Matter with Today's Experimental Music?
Organized Sound Too Rarely Heard
Seiten
2017
Routledge (Verlag)
978-1-138-45318-0 (ISBN)
Routledge (Verlag)
978-1-138-45318-0 (ISBN)
A study of contemporary music based on the premise that it is suffering from a distinct lack of attention. It inspects and evaluates what is happening to musical experimentation, where things might have gone wrong and what can be done to resolve the problem.
Today's education and communications media are seen to be the main cause of the anonymity of contemporary music and suggestions are made to improve this situation. Leigh Landy investigates audio-visual applications that have hardly been explored, new timbres and sound sources, the discovery of musical space, new notations, musical politics, and the 'musical community' in an attempt to incite more composers, musicians and musicologists to get this music out into the works and to stimulate the creation of new experimental works.
Today's education and communications media are seen to be the main cause of the anonymity of contemporary music and suggestions are made to improve this situation. Leigh Landy investigates audio-visual applications that have hardly been explored, new timbres and sound sources, the discovery of musical space, new notations, musical politics, and the 'musical community' in an attempt to incite more composers, musicians and musicologists to get this music out into the works and to stimulate the creation of new experimental works.
Leigh Landy
Introduction Four Extra-musical Subjects of Relevance Status Report: Advances within Experimental Music Contemporary Music Today Conclusion Work Descriptions and Cues for the Listener
Erscheinungsdatum | 07.08.2017 |
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Reihe/Serie | Contemporary Music Studies |
Verlagsort | London |
Sprache | englisch |
Maße | 174 x 246 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
ISBN-10 | 1-138-45318-8 / 1138453188 |
ISBN-13 | 978-1-138-45318-0 / 9781138453180 |
Zustand | Neuware |
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