Adaptation in Visual Culture

Images, Texts, and Their Multiple Worlds

Julie Grossman, R. Barton Palmer (Herausgeber)

Buch | Hardcover

XVI, 285 Seiten

2017 | 1st ed. 2017
Springer International Publishing (Verlag)
978-3-319-58579-6 (ISBN)

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This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essentialreading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century.

R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University, USA. Julie Grossman is Professor of English and Communication and Film Studies at Le Moyne College in Syracuse, NY, USA

1. Constantine Verevis, "Film Novelization".- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?".- 3. Glenn Jellenik, "The Task of the Adaptation Critic".- 4. Thomas Leitch, "Mind the Gaps".- 5. R. Barton Palmer, "Continuation, Adaptation Studies, and the Never-Finished Text".- 6. Kamilla Elliott "Unfilmable Books.".- 7. Sarah Cardwell, "A Dickensian Feast: Visual Culture and Television Aesthetics".- 8. Deborah Cartmell, "Star Adaptations: Queen Biopics of the 1930s".- 9. Jack Boozer, "Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps".- 10. Christine Geraghty, "Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)".- 11. Julie Grossman, "Fargos".- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" .- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')".- 14. Nancy West, "The Worlds of Downton Abbey".

"This comprehensive study of Highsmith adaptations covers work from the entirety of the author's career and includes interviews with film directors (among them Wim Wenders) as well as investigating Highsmith adaptations in relation to dualisms, queer cinema, and noir. ... The Palgrave Studies in Adaptation and Visual Culture series already contains many examples of this maxim and provides the opportunity for many more to come." (Peter Lewis, Adaptation, Vol. 13 (1), 2019)

Erscheinungsdatum	23.01.2018
Reihe/Serie	Palgrave Studies in Adaptation and Visual Culture
Zusatzinfo	XVI, 285 p. 17 illus. in color.
Verlagsort	Cham
Sprache	englisch
Maße	148 x 210 mm
Gewicht	643 g
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
Themenwelt	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
Schlagworte	21st Century • adaptation studies • ART • Cinema • Contemporary Culture • convergence • Film history, theory & criticism • Film history, theory & criticism • Film theory • Fine Arts • Fine arts: art forms • Intermediality • Literature, Cultural and Media Studies • media • Movie and TV Adaptations • performing arts • Print • society & culture: general • Society & culture: general • Television
ISBN-10	3-319-58579-7 / 3319585797
ISBN-13	978-3-319-58579-6 / 9783319585796
Zustand	Neuware