Ottoman Empire and European Theatre Vol. III
Hollitzer Wissenschaftsverlag
978-3-99012-071-2 (ISBN)
ContentsOuverture
Michael Hüttler (Vienna), Emily M. N. Kugler (Washington/DC) and Hans Ernst Weidinger (Vienna/Florence): Editorial
Forewords
Prologue:Stefanie Steiner (Karlsruhe): Enchantment / Disenchantment: Conceptions of Harem and Seraglio in Selected Literary Sources from 1608 to 1852
Act I: English Authors of the Late Seventeenth and Eighteenth CenturiesAnne Greenfield (Valdosta/GA): Veiled in the Seraglio: Whig Messaging in Mary Pix's Tragedy Ibrahim (1696)
Hans-Peter Kellner (Copenhagen/Vienna): The Capturing of the Seraglio: From the Life and Work of Aaron Hill (1685-1750)
Emily M. N. Kugler (Washington/DC): Playing the Sultana: Erotic Capital and Commerce in Daniel Defoe's Roxana (1724)
Michael J. Chappell (Danbury/CT): The Pleasures of Friendship and Society: Pekuah and the Arab's Seraglio in Samuel Johnson's Rasselas (1759)
Act II: Britain in the Late Eighteenth and Nineteenth CenturiesJennifer L. Airey (Tulsa/OK): Justice and the Bashaw of Merryland: Harem Fantasy, Rape Narrative, and the Trial of Lord Baltimore (1768)
Isobel Grundy (Edmonton, Alberta, Canada): English Women's Various Harems
Gönül Bakay (Istanbul): Is it possible to have freedom in a prison? Emmeline Lott's The Governess in Egypt (1865)
Act III: Byron: The YouthKäthe Springer-Dissmann (Vienna): "Now at length we're off for Turkey, Lord knows when we shall come back!" Byron's Grand Tour to the Bosphorus 1809-1811
Mi Zhou (Hong Kong): The Monster Within: Ali Pasha's Seraglio in Childe Harold's Pilgrimage
Walter Puchner (Athens): The Reception of Lord Byron in Greek Theatre and Drama in the Nineteenth Century
Act IV: Byron: The SultanaLaura Tunbridge (Oxford/UK): "The soft hours of Sardanapalus": Music and Effeminacy in Stagings of Byron's Seraglios
Marian Gilbart Read (Hampshire): "SCHIAVA SON IO, CORSARO!": does the escape from the harem dramatize the Risorgimento struggle in Verdi's adaptation of Byron's The Corsair (1814)?
Himmet Umunç (Ankara): In Search of Exoticism: Byron's Reveries of the Ottoman Orient
Isabelle Moindrot (Tours): Tamerlan: A 'Turkish' Opera by Peter von Winter for the Paris Opera (1802)
Act V: French InfluencesDomenica Newell-Amato (Utica, NY): Of African Monsters and Eunuchs: Colonial Fashioning within the Harem of Jean Racine's Bajazet (1672)
Michael Hüttler (Vienna): "[F]ive hundred very happy women!": The Harem as a Locus of Social and National Identities in Eighteenth-Century German-Language Theatre
Bent Holm (Copenhagen): The Ambiguous Harem: Moralism and Exoticism in Danish Harem Images of the eighteenth and nineteenth Centuries
Andreas Münzmay (Frankfurt/Main): Musical Representations of the Seraglio in Eugène Scribe's Vaudeville L'ours et le pacha and in its Adaptations in Nineteenth-Century European Theatre
AppendixIndex
Curricula Vitae
Erscheint lt. Verlag | 30.6.2015 |
---|---|
Reihe/Serie | Ottomania ; 5 |
Sprache | englisch |
Maße | 175 x 245 mm |
Gewicht | 977 g |
Einbandart | gebunden |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Schlagworte | Don Juan • George Gordon • Lord Byron • Musikgeschichte • Osmanisches Reich • Theater • Theaterwissenschaft |
ISBN-10 | 3-99012-071-9 / 3990120719 |
ISBN-13 | 978-3-99012-071-2 / 9783990120712 |
Zustand | Neuware |
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