Five perspectives on “Body and Soul” and other contributions to music performance research

I Five perspectives on “Body and Soul”
José Antonio Bowen: Recordings as sources for jazz. A performance history of “Body and Soul”
Martin Pfleiderer: “Body and Soul” and the mastery of jazz tenor saxophone
Cynthia Folio and Alexander Brinkman: Dexter Gordon’s ultimate “Body and Soul”
John Gunther: Transmigrations of “Body and Soul”. Three contemporary interpretations of a jazz classic analyzed and applied to performance
Oliver Senn: “… mieux citron que jamais”. Thelonious Monk plays “Body and Soul”

II Methods of music performance analysis
Marc-Antoine Camp, Lorenz Kilchenmann: On measuring and interpreting microtiming
Elena Alessandri: The discography or what analysis of recordings do before analyzing
Matthias Arter: Measuring and describing music
Richard Turner: The power of the maestro. Statistical technique to differentiate conductors’ interpretations
Jürg Huber: Transmission or interpretation? Pierre Boulez’s performance of Stravinsky’s “The Rite of Spring”
Claudia di Luzio: Sound, space, and gesture in music theatre today