Stretching the Imagination - Cesare Cornoldi, Robert H. Logie, Maria A. Brandimonte, Geir Kaufmann, Daniel Reisberg

Stretching the Imagination

Representation and Transformation in Mental Imagery
Buch | Softcover
208 Seiten
1996
Oxford University Press Inc (Verlag)
978-0-19-509948-5 (ISBN)
74,80 inkl. MwSt
This is the first volume in the Counterpoints series. The relationships between perception and mental imagery have given rise to one of the most vigorously debated areas in psychology. Research in this area has generated an abundance of theory together with contrasting positions and heated discussion.
One of the most lively areas of debate in psychology today concerns the relationship between perception and mental representation. This issue spans virtually all domains of psychological investigation, from development to perception, from computer to neuropsychological models of human cognition.

Recent studies have shown that there is a strong relationship between memory and mental representation, but others have shown that images are open to reinterpretation and manipulation, and therefore are not merely static images or mental representations of memories. Core chapters by three researchers in the midst of this debate, Maria Brandimonte, Geir Kaufmann, and Dan Reisberg, make up the central portion of this fascinating book.

Introduction: Counterpoints in Perception and Mental Imagery ; 1. When Imagery Fails: Effects of Verbal Recording on Accessibility of Visual Memories ; 2. The Many Faces of Mental Images ; 3. The Non-Ambiguity of Mental Images ; 4. Ducks, Rabbits, and Hedgehogs: Resolution, Impasse, or Fostered Debate?

Erscheint lt. Verlag 20.6.1996
Reihe/Serie Counterpoints: Cognition, Memory, and Language
Zusatzinfo line figures
Verlagsort New York
Sprache englisch
Maße 154 x 232 mm
Gewicht 293 g
Themenwelt Geisteswissenschaften Psychologie Allgemeine Psychologie
Geisteswissenschaften Psychologie Verhaltenstherapie
ISBN-10 0-19-509948-6 / 0195099486
ISBN-13 978-0-19-509948-5 / 9780195099485
Zustand Neuware
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