Rights and Reproductions

Anne M. Young heads the rights and reproductions department at the Indianapolis Museum of Art at Newfields and was formerly the photographic archivist for the Kinsey Institute, Indiana University. She is currently a Master of Jurisprudence candidate at Indiana University’s Robert H. McKinney School of Law focusing on Intellectual Property, art, and museum law. Young previously received an Master of Arts in photographic preservation and collections management from Ryerson University and a Bachelor of Arts in art history and studio art (photography) from Indiana University.

Preface
Walter G. Lehmann and Anne M. Young

Acknowledgements
Anne M. Young

Chapter One: Intellectual Property
Kenneth D. Crews, Walter G. Lehmann, Melissa Levine, and Nancy Sims
·What is Intellectual Property
·Copyright
·Trademark
·Patent
·Trade Secret
·Personal Rights
·Moral Rights
·Copyright Infringement
·Enforcement Mechanisms
·Remedies
·Traditional Knowledge and Cultural Expressions
·Human Remains
·International Intellectual Property Rights

Chapter Two: Institutional Intellectual Property Policies
John ffrench, Walter G. Lehmann, Melissa Levine, Michelle Gallagher Roberts, Nancy Sims, and Anne M. Young
·Intellectual Property Policies
·Ownership and the Development of IP Policies
·Use Policies
·Open Access Policies
·Photography Policies
·IP Audits

Chapter Three: Rights Issues for the Collection
Megan P. Bryant, Cherie C. Chen, John ffrench, Sofía Galarza Liu, Michelle Gallagher Roberts, Deborah Wythe, and Anne M. Young
·Determining Copyright Status
·Publication and Registration
·Public Domain
·Orphan Works
·Identifying and Finding Rights Holders
·Nonexclusive Licensing Agreements
·Copyright Assignment
·Commissioning Works
·Underlying Rights
·Architectural Photography
·Privacy Rights and the Collection
·Publicity Rights and the Collection
·Recording and Sharing Rights Information
·Additional Considerations

Chapter Four: Institutional Uses
Megan P. Bryant, Cherie C. Chen, John ffrench, Naomi Leibowitz, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. Young
·The Permissions Process: Rights Analysis
·The Permissions Process: Requesting Rights
·The Permissions Process: Contractual Limitations
·The Permissions Process: Music
·Fair Use
·Sourcing Materials
·Collective Image Resources
·Stock Agencies
·Attribution
·Institutional Uses
·Publications
·Educational Materials
·Traditional Marketing and Promotion Uses
·Social Media
·Retail and Commercial Products
·Institutional Websites

Chapter Five: Leveraging Content with Distribution Partners
John ffrench, Melissa Levine, Nancy Sims, Deborah Wythe, and Anne M. Young
·Considering Distribution Partners
·Potential Distribution Partners (Nonrevenue Generating)
·Potential Distribution Partners (Revenue Generating)
·Revenue Generation and Open Access
·Revenue Generation with Open and Public Domain Content

Chapter Six: External Uses
Megan P. Bryant, Cherie C. Chen, John ffrench, Melissa Levine, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. Young
·Access to Images and Reproductions of Collection Materials for External Uses
·Information About the Request Process
·Developing a Request Form
·Reproduction Fees
·Product Development and Royalties
·Processing External Requests
·Open Access for External Uses
·Licensing and Location Shoots
·Additional Photography Shoot Policies
·Communicating About Copyright to the Public

Chapter Seven: New Frontiers in Fair Use and Open Access
John ffrench, Walter G. Lehmann, Deborah Wythe, and Anne M. Young
·Putting Fair Use Into Action
·Fair Use Codes, Guidelines, and Statements
·Simplifying and Standardizing
·Creative Commons
·RightsStatements.org
·Copyright Cortex
·What Open Access Makes Possible

Appendix A: International Treaties, Federal Legal Materials, and Court Decisions
Appendix B: Document and Contract Templates
Appendix C: References and Resources
Glossary
Bibliography
Index