Music and Belonging Between Revolution and Restoration - Naomi Waltham-Smith

Music and Belonging Between Revolution and Restoration

Buch | Hardcover
280 Seiten
2017
Oxford University Press Inc (Verlag)
978-0-19-066200-4 (ISBN)
92,25 inkl. MwSt
How is music implicated in the politics of belonging? Provocatively fusing recent European philosophy with music theory, Music and Belonging explores the instrumental music of Haydn, Mozart, and Beethoven, reveals connections between listening and constructions of community, and testifies to Classical music's enduring political significance in an age of neoliberal exclusion.
In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity.
Somewhat counter-intuitively, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights.
The book's theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates over relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism.

Naomi Waltham-Smith is Assistant Professor at the University of Pennsylvania. Her research interests lie at the intersection of recent European philosophy, music theory, and sound studies. She is working on a creative project on "Listening under Trumpism" and is writing a speculative book entitled The Sound of Biopolitics.

Erscheinungsdatum
Reihe/Serie Critical Conjunctures in Music and Sound
Verlagsort New York
Sprache englisch
Maße 160 x 239 mm
Gewicht 517 g
Themenwelt Kunst / Musik / Theater Musik Allgemeines / Lexika
Kunst / Musik / Theater Musik Klassik / Oper / Musical
Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Geisteswissenschaften Philosophie
ISBN-10 0-19-066200-X / 019066200X
ISBN-13 978-0-19-066200-4 / 9780190662004
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
die Geschichte der Schallplatte

von Gillian G. Gaar; Martin Popoff; Richie Unterberger

Buch | Hardcover (2024)
Prestel (Verlag)
36,00

von Walther Dürr; Michael Kube; Uwe Schweikert

Buch | Hardcover (2023)
Bärenreiter (Verlag)
55,00