Arvo Pärt's White Light -

Arvo Pärt's White Light

Media, Culture, Politics

Laura Dolp (Herausgeber)

Buch | Hardcover
278 Seiten
2017
Cambridge University Press (Verlag)
978-1-107-18289-9 (ISBN)
115,95 inkl. MwSt
This book presents a fresh, interdisciplinary approach to the study of the contemporary composer Arvo Pärt and his reception. The volume charts his influence on areas including film, cultural programming, new media, cultures of listening, politics and performance practice. It addresses a wide readership across the humanities, with technical analysis kept to a minimum.
One of the most frequently performed contemporary composers, Arvo Pärt has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Pärt's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Pärt as a major cultural figure and reflect on the unprecedented impact of his music.

Laura Dolp's interdisciplinary research explores the historical agency of music as a site of human transformation, including music and spirituality, the interrelation of music and social spaces, mapping and musical practices, and the poetics of the natural world. She is co-contributor to The Cambridge Companion to Arvo Pärt (Cambridge, 2012) and Artistic Citizenship: Artistry, Social Responsibility, and Ethical Praxis (2016). Her work also appears in altrelettere, 19th-Century Music, and the Journal of Musicological Research. She holds a Ph.D. from Columbia University, New York.

1. Introduction Laura Dolp; 2. Empathy and tintinnabuli music in film Maria Cizmic; 3. Pärt and the sound of one hand clapping Robert Sholl; 4. Pärt and the experience of the neutral Sander van Maas; 5. Ethos and the industry of culture Laura Dolp; 6. An ethnography of spirituality Kythe Heller; 7. Politics and protest Michael Palmese; 8. Sonic embodiment C. J. May; 9. Performing Pärt Andrew Shenton.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises; 2 Tables, black and white; 8 Halftones, black and white; 19 Line drawings, black and white
Verlagsort Cambridge
Sprache englisch
Maße 182 x 253 mm
Gewicht 730 g
Themenwelt Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Sozialwissenschaften
ISBN-10 1-107-18289-1 / 1107182891
ISBN-13 978-1-107-18289-9 / 9781107182899
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Grundbegriffe, Harmonik, Formen, Instrumente

von Imogen Holst

Buch | Softcover (2021)
Philipp Reclam (Verlag)
7,80
Jazz als Gegenkultur im westlichen Nachkriegsdeutschland

von Stephan Braese

Buch | Hardcover (2024)
edition text + kritik (Verlag)
42,00
eine Einführung

von Michele Calella

Buch | Softcover (2023)
Laaber-Verlag
34,80