The Oxford Handbook of Music Revival

Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK, where she also teaches courses in Arts Management. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage was published by Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with new work on Georgian polyphony. Juniper Hill is a senior research fellow at the University of Cambridge, and a lecturer in music at the University College Cork, Ireland. A recipient of the Marie Curie Intra-European Fellowship, the Alexander von Humboldt Fellowship, two Fulbrights, and the University of California Faculty Fellowship, her publications address topics such as creativity, pedagogy, transnationalism, and revival.

Table of Contents ; I. Towards Multiple Theories of Music Revival ; 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change ; Juniper Hill and Caroline Bithell ; 2. Traditional Music, Heritage Music ; Owe Ronstrom ; 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking ; Tamara Livingston ; II. Scholars and Collectors as Revival Agents ; 4. Antiquarian Nostalgia and the Institutionalization of Early Music ; John Haines ; 5. A Folklorist's Exploration of the Revival Metaphor ; Neil V. Rosenberg ; 6. A Participant-Documentarian in the American Instrumental Folk Music Revival ; Alan Jabbour ; III. Intangible Cultural Heritage, Preservation, and Policy ; 7. Reviving Korean Identity through Intangible Cultural Heritage ; Keith Howard ; 8. Music Revival, Ca Tru Ontologies and Intangible Cultural Heritage in Vietnam ; Barley Norton ; 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music ; Colin Quigley ; IV. National Renaissance and Postcolonial Futures ; 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival ; Margaret Walker ; 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010 ; Helene Neveu Kringelbach ; 12. Revived Musical Practices within Uzbekistan's Evolving National Project ; Tanya Merchant ; 13. Two Revivalist Moments in Iranian Classical Music ; Laudan Nooshin ; 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival ; Victoria Levine ; V. Recovery from War, Disaster, and Cultural Devastation ; 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia ; Naila Ceribasi? ; 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna ; Annemarie Gallaugher ; 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect ; Margaret Kartomi ; VI. Innovations and Transformations ; 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals ; Juniper Hill ; 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicalia ; Denise Milstein ; 20. Bending or Breaking the Native American Flute Tradition? ; Paula Conlon ; 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals ; Britta Sweers ; VII. Festivals, Marketing, and Media ; 22. Contemporary English Folk Music and the Folk Industry ; Simon Keegan-Phipps and Trish Winter ; 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity ; Adriana Helbig ; 24. Trailing Images and Culture Branding in Post-Renaissance Hawai'i ; Jane Freeman Moulin ; 25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to Cyberspace ; Richard Blaustein ; VIII. Diaspora and the Global Village ; 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage ; Caroline Bithell ; 27. Irish Music Revivals Through Generations of Diaspora ; Sean Williams ; 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora ; Anthony Shay ; 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979) ; Carol Ann Muller ; Afterword ; 30. Re-flections ; Mark Slobin